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尸骨袋1
皮尔斯·布鲁斯南,梅利莎·乔治,安娜贝丝·吉什,阿尼卡·诺尼·罗斯,马特·弗里沃,杰森·普雷斯利,凯特琳·卡迈克尔,彼得·麦克内尔,威廉·沙勒特,黛博拉·艾伦,Gary Levert,Joel Freckelton,乔迪·布朗《尸骨袋》改编自斯蒂芬·金（Stephen King）的同名恐怖小说。 畅销小说作家Mike Noonan（皮尔斯·布鲁斯南 Pierce Brosnan 饰），在妻子Jo(安娜贝丝·吉什 Annabeth Gish 饰)死后，无法走出悲痛的深渊。他不断地梦到和Jo一 起购买的缅因州湖畔别墅，梦到装在袋子里的腐烂尸骨，梦见Jo也从裹尸袋中奔跑而出。终于他在Jo的召唤下回到了那栋诡异的别墅。在那里，他卷入了一桩年轻美貌寡妇与家财万贯的祖父对小女孩的抚养权争夺战，并不时遭遇神秘鬼魂的骚扰。那些不断升级的噩梦，还有神秘鬼魂的骚扰，都让他意识到，这个小镇隐藏着一些秘密，而死去的Jo也有事情想要告诉他……
自杀俱乐部
Klariza Clayton ,Kate Lister,Adam NewingtonLocked in her flat for several years, a reclusive young woman stumbles upon a mysterious web community. According to an urban myth, the Suicide Club grants death to those wishing for it. Unless these "cyber suicides" are actually murders.
诡爱
辛芷蕾,成毅,于毅,叶熙祺,张哲瀚,何珮瑜,邢岷山著名电台女主播萧潇雅（辛芷蕾 饰）在结婚前七天，因亲眼目睹名作家未婚夫李明轩与前女友许嘉雯（何佩瑜 饰）偷情，萧萧雅忍受不了背叛出轨的伤痛而自杀，幸被抢救复生，男友李明轩却坠楼身亡……是自杀还是他杀还没有揭晓真相，李明轩的前女友许嘉雯却又死于非命，李明轩的弟弟李明炎（张 哲瀚 饰）一直对哥哥的死觉得离奇，经调查发现偷情背叛事件出自许嘉雯和薛威（于毅 饰）策划的，在真相还没有大白前，薛威也相离奇死亡……谁是幕后真凶？是阴阳两隔的恋人的疯狂复仇？是横刀夺爱者的杀人灭口？还是宿命在爱情开始的一刻早已注定？
伪装大师1：维多女人
陈启杰,高雨儿,张炜迅,夏星,张惠程,杨静,闫锐关键一晚终于来临，黄渤扮演的黄总，邀请收藏爱好者来自己家参观，蔺先生如今也是其中一员，带着王森来了。蔺先生发现黄渤家里有三幅《维多女人》仿品，都是有一定年头的值钱货，但蔺先生从特定角度，发现了其中一幅画的标记，这是王森之前交他辨别真假的方法，王森也证明的确是真品。蔺先生发现这是真品后非常激动，要趁别人都没发现之前买下这幅画。黄渤看蔺先生这么感兴趣，开玩笑般开出天价，蔺先生立刻答应，并且要求当场成交。 成功了！派对上，黄渤把钱撒向空中，大家激动分钱，王森却不在。 王森突然接到电话，得知夏天竟然被陶硕绑架，陶硕威胁王森交回画，否则杀了夏天。王森一生中从未如此紧张失措过，他和黄渤立刻回去找蔺先生，没想到蔺先生像是变了一个人，精明地可怕，要王森拿出三倍的价买回《维多女人》，黄渤提醒王森夏天还有一个小时就要被杀，王森下定决心，用自己收藏的一屋子艺术品来换这幅画。 时间紧迫，王森让黄渤去家中拿艺术品，而自己先拿画去救夏天。王森回到绑架现场却一无所有，黄渤也联系不上了，只有他手上那幅画，这时他才发现，手上那幅画，上面有自己的签名，这是最初自己伪造的那副假画。 王森疯了一般，他回到家，空空荡荡，所有值钱的东西都被卷走 ……
圣传
伊倉一寿,速水奖,山口胜平,榊原良子Prophecy says that six warriors will end a brutal tyrant's rule. Swords clash as the battle between good and evil explodes!
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.