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哈利·米尔林,亚历山大·斯卡斯加德,道格拉斯·霍奇,莱斯利·夏普,安东尼·威尔士,杰克·谢尔斯,Miranda Bell,比利·金,Rosie Sheehy,Stevie Raine,乔治娅·赫利尔,杰克·夏普,Michael 'Mike' Jones,尼克·菲吉斯,卡夫奇奇·米哈,保罗·塔利斯,Kevin Bazeley,Christina Carty,扎米尔·梅斯蒂,Jacob Carter恶人的道路
维尼·琼斯,克里斯蒂安·史莱特,Emily Tennant幸福之路
张震,陈法拉,魏恺乐,莱斯·纳克里,雅南,汤姆·乌卡,杨佩里,王战,李海斌,郑礼莎,亚历克斯·维多夫,卡洛斯·罗德里格斯,丹尼尔·阿拉纳,萨拉·巴斯金,丹尼·博邦终端
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夜逃屋本铺2
中村雅俊,高木美保,益岡徹,中島陽典,風間杜夫,松居一代,中山忍,余貴美子误杀2019
肖央,谭卓,陈冲,姜皓文,秦沛,边天扬,许文姗,张熙然,施名帅,黄健玮,陈志朋,叶浏,谷洋,张林金发
岩田刚典,白鸟玉季,门胁麦,山田真步,田村健太郎,内田慈秘密会议
拉尔夫·费因斯,斯坦利·图齐,约翰·利思戈,卢西安·姆瑟马蒂,赛尔乔·卡斯特利托,伊莎贝拉·罗西里尼,布莱恩·F·奥博恩,卡洛斯·迪赫兹,梅拉布·尼尼泽,托马斯·洛伊布尔,亚采克·科曼,布鲁诺·诺维利,罗尼·克拉默,瓦莱里奥·达·席尔瓦,约瑟夫·迈德尔,文森佐·法伊拉,加里克·哈根,马达夫·夏尔马,洛里斯·洛迪,罗伯托·西特兰千亿之吻
段天恩,黎春进,麻兰都,秋庄,范进禄捍卫时空战士
雷·利奥塔,兰斯·亨利克森,斯图亚特·维尔森,凯文·狄龙,凯文·J·奥康纳,伊恩·麦克尼奇,杰克·谢菲尔德,迈克尔·勒纳,埃涅·赫德森,Don Henderson影视排行
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
无形杀机
Salvatore Samperi,Artom Simin,贾梅卡·沃恩,阿梅丽娅·康威,Aaron Scully,Sanjeev Mehra一位孤立的私家侦探被一位朋友说服，从躲藏处出来帮助找到她失踪的妹妹，让那些想让他的家人死去的人能够找到他。
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Laura Chiatti,Salvatore Langella,Filippo Nigro马蒂亚是一个画家，与一位有抱负的歌手同居，他靠艺术市场的变化来谋生。
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