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十二个想死的孩子
杉咲花,新田真剑佑,北村匠海,高杉真宙,黑岛结菜,桥本环奈,吉川爱,萩原利久,渕野右登,坂东龙汰,古川琴音,竹内爱纱當活着比死更需勇氣，十二個少年來到荒廢醫院，進行本以為是12 比0 的投票，通過後便可集體自殺，卻發現房間多了一具屍體，必須找出兇手和企圖破壞契約的潛入者。劇情以新本格派推理展開，同時進行「十二怒漢」式針鋒相對。原來再厭世，內心極渴望別人聆聽自己故事。每一個都可疑，每一個都隨時被說服，結局示範最令人心悅誠服的反轉。《20 世紀少年》（2008-09）、《愛的成人式》（2015）導演堤幸彥巧妙觸碰少年自殺的禁忌，像補完計劃般置諸死地，在絕望深淵，一次擁抱可拯救一個靈魂。
暴雨屋
Grant Masters,Patrick Flynn,Grahame Fox2002年，伊拉克战争爆发前11个月，美军驻伊拉克某军事基地发生奇怪事件，一个监控摄像机录下了诡异影像，更有试图查清此事的相关责任人员或者丧命或者疯狂。军方甚感事关重大，遂请来在这方面具有丰富研究经验的“鬼语者”海莉·桑兹前来调查被他们用特殊手段囚禁起来的“鬼魂”。随着沟通的深入，各种各样奇怪的是接连发生，身边或严肃或鲁莽的军人们着呈现出怪异的举止。这一切的背后似乎隐藏着巨大的秘密，“鬼魂”的真面目也渐渐地揭开神秘面纱…… 本片根据真实事件改编。
猎梦人
陈孝良,米咪故事发生在2050年，蓝小玮是一个研究员，她研发了“零接触”的技术--通过佩戴特殊的头盔，将两个人的脑电波连接起来实现梦境的连接。这天，一个便衣警探余警官找到研究所，要求小玮使用零接触的技术帮他侦破一个极为棘手的案件。小玮觉得这案件跟母亲的昏迷案件有关，尽管知道危险，还是不听父亲的阻止，接受这个任务了。小玮通过网络连接的方式进入昏迷者易田的梦境，随后捣蛋的余警官也偷偷尾随而来，两人在这个奇怪的世界跌跌撞撞，搞笑百出，也危险重重，两人配合警探父亲，终于找到真凶竟然就是实验室的研究员，至此故事告一段落。
审判者1
尹子维,李灿森,郭常辉,方川,陈禹铭,李夏佩,彭波,周超峰,孙鸣蔚,赵旭,陈青晔,刘静怡,李欢摄影师王树因一次“死亡拍摄”获奖并一举成名，于此同时他也断送了自己的摄影生涯。在舆论的审判下，没有一家摄影公司愿意接纳他，王树不得不转行维持生计，不想却变成了网络爆红的“审判者”，并陷入了一宗扑朔迷离的死亡绑架事件，踏上了“心灵审判”的漫漫长路......
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
鱼刺2025
黄婧仪,柴烨,陈佳宁,黄渲文,王一楠,陈创,王宏伟李琪和母亲相依为命但关系紧绷，高考结束后，她在鱼档帮母亲照顾生意。在同学小薇的生日聚会上，李琪在对方挑衅下摔坏了小薇的手机，面对索赔危机，李琪决定独自解决。高考成绩出来了，远非母亲想象的那般理想，李琪却不愿听从安排去复读，令母女关系再度蒙上阴影……导演张旭煜的短片作品曾入围二十余个国内外电影节展，这部长片首作则是“青葱计划”五强优胜项目。导演在片中巧妙运用多种意象隐喻角色心理，成长的隐痛如鲠在喉，而资深话剧演员王一楠和新生代演员黄婧仪也以充满张力的互动精准诠释了母女之间爱恨交加的亲子关系。