夺命婚外情
金万（虞金宝 饰）是一位腰缠万贯的商业大亨，因为他的妻子小闵自幼身体虚弱无法和他进行夫妻生活，所以将欲望发泄在了情妇的身艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan。然而，金万的两名情妇接二连三的被人杀害，杀死她们的是一位神秘的黑衣人。
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僧侣
文森特·卡塞尔,黛博拉·弗朗索瓦,约瑟芬·约比,塞尔希·洛佩斯,凯瑟琳·蒙切特,乔迪·道德尔,杰拉丁·卓别林,罗珊妮·杜兰,Frédéric Noaille,Javivi,Martine Vandeville,Pierre-Félix Gravière,塞尔日·费拉德,恩斯特·吴默埃,Jean-Francois Vendroux,让-克洛德·杜芬诗人2025
乌贝马尔·里奥斯,蕾韦卡·安德拉德,吉列尔莫·卡多纳,阿利森·科雷亚,翁贝托·雷斯特雷波,玛格丽塔·索托像这样的夜晚
亚历山大·林肯,杰克·布雷特·安德森,大卫·布拉德利,Jimmy Ericson,贝丝·里朗斯,凯恩·萨里,Eloise,Sam Jochim,Rizwan Khan,Harriet Olivia-Wilson老板和小可爱
萨尔瓦托雷·埃斯波西托,Fabiana Martucci,Antonio Milo,希罗·埃斯珀斯托,萨尔瓦多·斯特里亚诺,Riccardo Cicogna,Gianantonio Mellone Martinone,阿涅洛·阿雷纳平安夜，杀人夜
罗汉·坎贝尔,露比·莫迪恩,马克·艾奇逊,沙龙·巴杰,大卫·劳伦斯·布朗,埃里克·阿塔瓦尔,托米·雷梅尔,大卫·汤姆林森,伊莎·薇洛特,Rick Skene,Tom Young,马德琳·考克斯,Yan Joseph,Richard Patrick Tolton II,Lam An,Jasmine Wallace,弗雷德里克·艾伦,Logan Sawyer,Julien Neault-Lount,安德烈娅·格里宁裂口女2
飞鸟凛,川村雪绘,岩佐真悠子,真山明大,谷口贤志,草野康太,中野英雄,斋藤洋介,林未纪同类推荐
灵菁传
胡悦,龚小钧,孟璐,何聪睿,吴骁栩,曾语乔前世将军养女与兄长因禁忌之恋生死相离，今生化身白蛇与姐妹游戏人间，却爱上旧人之子，在宿命纠葛下开启极致人妖虐恋。
单独之恋
凯文·詹姆斯,乔纳森·鲁米,金·寇兹,艾莉森·汉尼根,朱莉·安·埃默里,妮可·吉玛多,茱莉·塞尔达,朱莉娅·梅西娜Matt's fiance leaves him at the altar. Heartbroken, he goes on their planned Italian honeymoon alone. There he rediscovers his zest for life, food, and meets Gia who helps him find love again.
修女2
泰莎·法米加,乔纳斯·布洛凯,斯托姆·瑞德,安娜·帕波维尔,邦妮·阿伦斯,凯特琳·罗斯·道尼,苏珊娜·伯蒂什,莱昂廷·翁西厄,阿努克·达尔文·霍梅伍德,彼得·哈德森,塔玛尔·巴鲁克,娜塔莉·萨福兰,马克西姆·伊莱亚斯-梅内特,帕斯卡·欧贝,亚历山德拉·詹蒂尔,弗洛伦斯·梅斯泰,玛歌·波莱尔,维维安娜·莫因,雷纳塔·帕尔米涅洛,富尔维娅·帕特里齐亚·奥利维埃里故事发生在1956年的法国，一名牧师惨遭谋杀，某种邪恶正在散播，艾琳修女（泰莎·法米加 Taissa Farmiga 饰）将再次与鬼修女瓦拉克（邦妮·阿伦斯 Bonnie Aarons 饰）展开正面对决。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
弹道无痕
赵岩松,陈大伟,王玉璋,刘大伟,魏琦根据徐贵祥同名小说改编。 铁匠的儿子石平阳带着父亲的嘱托参军来到炮兵部队。他的一股冲劲，受到营长庄必川的喜爱，老班长李四虎更喜欢石平阳不服输的劲头。李四虎是技术尖子，他对新战士训练十分严格，新战士进步很快。他把石平阳视作接班人，要在自己退伍之前把经验全部传授给石平阳，甚至以故意装病，让石平阳独立完成训练课目。石平阳进步很快，年终还荣立了三等功。和他一起入伍的女兵张媚对他也另眼看待。教导队招收骨干，进教导队就能报考军校，成为军官。营长担心比武缺了石平阳影响成绩，因此改派与石平阳一同入伍的王北风去了教导队。机会得而复失，石平阳有些想不通。父亲去世了，指导员让他回家料理，但他走到半路，想起父亲的嘱托，毅然返回连队。李四虎复员了，石平阳接任班长，他把老班长的好传统全部继承下来，爱兵、爱炮、爱部队，技术精益求精。同时入伍的王北风和张媚进了军校，石平阳仍然当班长。排长调走了，石平阳任代理排长，这时，他入伍已有八年。团里为了留住他，让他准备报考军校。就在这时，新战士刘发展一封虽事出有因但严重失实的告状信，使他又失去了上军校的机会。石平阳要复员了，副团长庄必川舍不得他离开，从车站把他接回，团党委特别决定把他留下。石平阳又回到排里，他对刘发展更严格、更耐心训练和要求，使刘发展深感内疚。几年后，参谋王北风到部队检查工作，见到石平阳仍是上士，不免生出许多感触。在集团军的军事演习中，石平阳指挥火炮群的准确射击，令首长和指挥员们赞叹不已。石平阳多年操纵的火炮由新式火炮取代了，他虽有些恋恋不舍，但他立即和战友们开始学习掌握新的火炮，迎接新的挑战。不久，石平阳被破格提拔为中尉连长。