剧情简介
A Woman Who Was Manipulated By A Teacher She Met For The First Time in 10 Years
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末世家园
泰勒·霍奇林,凯特·波茨沃斯,水野索诺娅,兰斯·莱迪克,大卫·达斯马齐连,丹娜·格瑞尔,劳拉·凯洛蒂,兰斯·E·尼克尔斯,杰夫·蔡斯,布拉德·利兰,戴夫·戴维斯,大卫·詹森,托马斯·弗兰西斯·墨菲,迈克·P·纳尔逊,吉姆·格里森,戴恩·罗兹,Jacinte Blankenship,埃迪·马休斯,Mary Alice Risener,Nina Leon,Dillon Ahlf,阿尔·维森特,Jaren Mitchell,Oscar Gale,Steven Grossman,李·珀金斯,Deven MacNa一对夫妇在被暴徒控制的中西部地带，只有通过与之斗争才能回家的故事，影片将于6月29日北美上映。
河童之湄澜怪谈
庞玉龙,黄柏钧,张沙沙,郑晓民,何涌生生物化学专家明翰受警局顾问沃克教授推荐，协助警方调查不明水生物离奇杀人案件。开始众人都深信是鬼神之说出来害人，明瀚不以为然坚信自己的判断，随着案件的侦破，明翰得知凶手就是他寻找多年的父亲明智，当年父亲和沃克教授一起秘密实验时，不幸意外感染，变异成了今天肆意杀人的河童。 最终真相大白原来这一切都是沃克教授所为，为了利益他背着明智进行非法人体实验，当明智不幸感染时，他不仅没有医治明智还把他当成了意外的惊喜，对他进行了人体试验，导致明翰的母亲无人照顾病死家中多日。最终父子二人联手协助警方摧毁了这个犯罪组织。
不明影像：绝对点击禁止
朴宝英,周元,江星在网络监查科兼职的大学生俊赫，为了和生气的女友世熙（朴宝英 饰）重归于好，转而求助于女友的妹妹——高中女孩静美。静美是一个沉迷以来网络的时尚女孩，她答应帮助俊赫，条件是俊赫能帮她找一些网上封禁的稀奇古怪的视频。万般无奈，俊赫只得帮忙寻找，谁知却意外下载到一段诡异的视频。这段视频每次的文件名每次都会改变，每次打开后也会呈现不同的内容，甚至在看完之前都无法关闭。倒霉的静美似乎恰恰碰上了那个传说中的诅咒视频，在此之后，她的周围接连发生诡异事件。 网络时代带来便利，也衍生了假象与罪恶，通往地狱的大门慢慢开启……
剧场灵
岛崎遥香,足立梨花,高田里穗,町田启太,中村育二,小市慢太郎水树沙罗（岛崎遥香 饰）是一个在演艺圈打拼多年的青年女演员，虽然她努力磨练演技，勤奋专注，却始终未得到世人的关注。在此期间她受到来自事务所的压力，二者相权之际最终选择参加剧作家锦野豪太（小市慢太郎 饰）的新作《鲜血的召唤》的试镜。《鲜血的召唤》根据史上真实人物嗜血如命的伊丽莎白的故事改编，为了美这个女人不惜残害鲜活的生命。沙罗与同事务所小有名气的女星筱原葵（高田里穗 饰）一同试镜，两人最终分别获得了农家女孩安娜以及主角伊丽莎白的角色。 在排演过程中，放置在舞台中央的人偶似乎有了自己的意识，让本就为了荣光而近乎癫狂的女子们更走向了崩溃的边缘……
终归为尘
安吉拉·莫利纳,阿尔佛莱德·卡斯特罗,莫妮卡·阿尔米拉尔,Patrícia Bargalló,Alván Prado,Manuela Biedermann,Emma Corbacho,Pol Garibaldi Gris,Nicolás Fuentes,Vito Pietroburgo,Irene Ta,Valeria Scheilen,Aleix Plademunt,Lissy Pernthaler,Silvan Luley,Lorena Nogal,Shay Partush,Oriol Genís,M在被诊断出患有绝症后，克莱尔决定进行最后一次旅行，前往瑞士。在那里，她可以在一家协助自杀协会的帮助下决定如何以及何时结束自己的生命。陪伴她超过四十年的查洛决定与她一同踏上这段单程之旅。与此同时，摩根娜在父母之间以及他们即将离开的所有事物之间成为了一个不情愿的调解人，同时也在努力寻找自己在这个故事中的位置。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
玛德琳的玛德琳
海伦娜·霍华德,米兰达·裘丽,莫莉·帕克,奥奎·奥克波克瓦西里,苏妮特·玛尼,费利佩·博尼拉,丽莎·萨尔斯,寇蒂斯·库克,雷纳尔多·皮涅拉,迈拉·卢克利希亚·泰勒,茱莉·塞尔达,达娜·埃斯科尔森,苏泽特·古恩,迈克·霍奇,亚历山德拉·塔塔尔斯基《玛德琳的玛德琳》是美国女导演约瑟芬·戴克最新的一部作品。这部电影讲述了一个戏剧导演，在创作她最近的作品时所产生的故事。这也是约瑟芬·戴克的第14部作品。作品中的角色和她本人颇为相似，同样作为导演的她，也是一名演员。戴克以往的作品，总是带着一定程度上的形式化的美感，也显露着女性特有的细腻。在她的作品中，镜头更像是一双可以无限接近角色人物的眼睛，时刻捕捉着主观视角下的人物的行动和当时的情内心状态。