剧情纵览
写真女星遥香(永岡怜子饰)从经纪人那得到一个演出恋爱电影角色的机会,遥香开心之余,内心却出现许多复杂的心情。某日,独自走在街头的遥香遭到粉丝袭击,此时,一名中年男子田畑(汤江健幸饰)及时出现拯救了遥香,两人的关系也逐渐变得越来越亲密。母胎单身的女子—桐野遥香,在29岁这年初次体会到性与爱的欢愉…ccc
写真女星遥香(永岡怜子饰)从经纪人那得到一个演出恋爱电影角色的机会,遥香开心之余,内心却出现许多复杂的心情。某日,独自走在街头的遥香遭到粉丝袭击,此时,一名中年男子田畑(汤江健幸饰)及时出现拯救了遥香,两人的关系也逐渐变得越来越亲密。母胎单身的女子—桐野遥香,在29岁这年初次体会到性与爱的欢愉…ccc
穷途末路的天才少年刘全龙(彭昱畅 饰),被偏执富家公子陈伦(丁禹兮 饰)选中,被迫踏入一场为他量身打造的“换命游戏”。豪华别墅、名车名表、神秘女友全部备齐,在陈伦的精心打造下,刘全龙瞬间拥有顶配人生。这场表面上各取所需的交易,暗地里却杀机渐起。当众星捧月的快感喂大了野心,贪婪的目光开始盯上原主拥有的一切,那个曾经温顺的“猎物”,开始在暗处亮出獠牙,而掌控一切的“猎人”似乎也早有筹谋。无名的尸体、操控与反噬、扮演与沉沦,这场游戏里,究竟是谁在控制谁?
威廉丧妻后,从AI公司得到一位与亡妻样貌相同的仿生人,在人工智能开发的斗争中,一个神秘组织试图通过破坏仿生人的程序来让仿生人获得自由...
1989年的寂静深夜,南哈特福特三名神职人员遭到屠杀。行凶者名叫玛莉娅·罗西(苏珊·克萝蕾 Suzan Crowley 饰),事后被诊断体内藏有七重人格。在此后的岁月里,她被带往意大利驱魔。时隔20年,玛莉娅的女儿伊莎贝拉·罗西(费尔南达·安德拉德 Fernanda Andrade 饰)决定拍摄一部关于母亲的纪录片,她启程前往罗马,见到了久违的母亲,而玛莉娅所说的话令她颇为震惊。为了探明母亲的病因,她在当地找到了两位瞒着教会偷偷进行驱魔的教士年轻驱魔师(赛门·克特曼 Simon Quarterman 与 伊凡·海慕特 Evan Helmuth 饰)。在他们的努力下,玛莉娅体内的魔鬼们渐渐显现出来…… 本片荣获2012年BMI电影与电视奖最佳电影配乐奖。
Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present. Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.