一起去吃拉面吗?

★ 2.6 播放:22万 更新:2026-05-25
主演: 白虎/

韩国有个电影,一男送一女回家,女的说:“要不要吃个拉面再走?”(라면먹고갈래?)是女的在暗示男的,她家没人,可以和自己回家,然后男的就上楼了,俩人就啪啪啪了。在这之后这句话就各种被暗示在送回家之后“要不要干个啥再走?”这个事情,比如又延伸了“要不要喝杯咖啡再走?”“要不要吃个宵夜再走?”“要不要喝杯茶再走?”…haiwaiyingyuan

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剧情简介

韩国有个电影,一男送一女回家,女的说:“要不要吃个拉面再走?”(라면먹고갈래?)是女的在暗示男的,她家没人,可以和自己回家,然后男的就上楼了,俩人就啪啪啪了。在这之后这句话就各种被暗示在送回家之后“要不要干个啥再走?”这个事情,比如又延伸了“要不要喝杯咖啡再走?”“要不要吃个宵夜再走?”“要不要喝杯茶再走?”…haiwaiyingyuan

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时装

 在时装周的狂热中,三位女性在巴黎的生活中不期而遇,她们一边应对着世界的悲剧,一边思索着自己人生的问题:麦克斯(Maxine),一位40多岁的美国电影导演,发现自己患上了癌症;阿达(Ada),一位年轻的南苏丹模特,逃离了她注定的命运,却被推入了一个充满欺骗的世界;安吉尔(Angèle),一位在T台幕后默默工作的法国化妆师,梦想着逃离自己的生活。

幸福之路

穿梭纽约市送餐的华人外卖仔,因谋生工具电动单车被盗,生活陷入危机。同时,他的妻女在分离五年后,终于来到纽约重聚。一部书写移民劳工的电影,镜头随着无法停下的外卖单车徘徊飘移,配以幽暗色调的纽约街头,仿佛在高度资本发达的城市中,刻划出边陲移工艰苦曲折的生存轨迹。韩裔加拿大导 演于2022年以短片《老样子》入围戛纳短片竞赛,其后将短片延伸成为其首部剧情长片,不变的是对移民群体的关注。

好像一切都很糟糕

Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night.   However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements.   Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires.   源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster