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咒·丝
戴立忍,梁静,翟子陌,孔宋今,安琥,张瑶爱定你杀定你
塞西尔·德·弗朗斯,麦温,菲利普·纳翁,弗兰克·卡方,安德烈·芬蒂,瓦娜·佩利亚,Marco Claudiu Pascu,Jean-Claude de Goros,Bogdan Uritescu,加布里埃尔·斯巴修荣归1978
简·方达,乔恩·沃伊特,布鲁斯·邓恩,佩内洛普·米尔福,罗伯特·卡拉丁,罗伯特·金蒂,凯瑟琳·米勒新狂蟒之灾
保罗·路德,杰克·布莱克,史蒂夫·扎恩,坦迪·牛顿,艾斯·库珀,丹妮拉·曼希沃,艾农·斯凯,本·劳森,赛尔顿·梅罗,Renee Herbert,娅丝明·卡西姆,Aimee Bah,塞巴斯蒂安·瑟罗,Jack Waters,Diego Arnary,Cal Rein,Matt Aristizabal,胡依·西卡多·吉亚斯,Romeo Ellard,Reagan George浮云世事
卡蒂·奥廷宁,卡里·瓦纳宁,叶琳娜·萨罗,萨卡里·库斯曼嫩,马库·佩尔托拉外星入侵者ZIM
Richard Steven Horvitz,Andy Berman,Rosearik Rikki Simons,Melissa Fahn同类精选
三声再见
阿尔芭·罗尔瓦赫尔,埃利奥·杰曼诺,弗朗切斯科·卡里尔,西尔维娅·达米科,加拉泰亚·贝露琪,萨莉塔·乔德霍里,洛伦佐·特伦齐,索菲娅·德利娅,斯蒂法诺·布拉奇,彼得罗·斯帕沃利,孙克古·郑,马泰奥·卡洛马尼奥,朱塞佩·佩斯蒂洛,路易莎·里奇,薇拉·杰玛,亚历山德罗·洛·卡塞托,科西莫·德西伊,特奥多罗·吉安班科,朱利娅·瓦伦蒂,托马索·阿尔纳尔迪追恶
释小龙,王真儿,刘峰超,刘怡潼汽车旅馆人生
Emile Hirsch,达科塔·范宁为了亚当
蕾雅·德吕盖,安娜玛丽亚·沃特鲁梅,阿莱克斯·德斯卡,朱尔斯·德尔萨特,洛朗特·卡普洛托,克莱尔·博德森,索尼娅·贝卡姆,麦克斯·罗宾,阿德利安·迪安娜,米凯莱·莫安娜·内德塔尼,亚历山大·马托比,杰登·穆约佐罗·马耶巴,肯娜亚·索玛,安妮·拉勒芒特,蒙尼亚·杜依布,吉尤利娅·巴尔福罗德,塞德里克·拉克辛,雅典娜·达纳·珀罗斯,卡利姆·奇哈布,宝琳·格雷高利附身
阿比盖尔·布雷斯林,大卫·休莱特,史蒂芬·麦克哈蒂,彼得·奥特布里奇,米歇尔·诺尔顿,萨曼莎·温斯坦粽邪3：鬼门开
张庭瑚,李兴文,吴奕蓉,许安植,陈博正,刘国劭,李明仓,王彩桦,黄柔闽,陈为民,曾莞婷,邹承恩,陈雪甄,施冬麟,许莉廷,陈少卉,陈昭妃,姜仁,游否希影视排行
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
相遇之家
宋智孝,都嬴谞,玉智英,尹惠利拥有15年资历的资深女狱警，得知自己所负责的收容人美英母亲的死讯，之后开始展开的故事。狱警在告别式场以及殡仪馆遇见了美英的女儿俊英，这短暂的相遇，给三人的生活带来了温暖的变化。
失认症
爱德华多·诺列加,巴巴拉·戈纳加,费利克斯·戈麦斯19世纪末的西班牙巴塞罗那，阿图尔·普拉特（塞尔吉·马特乌 Sergi Mateu 饰）经营着慈父望远镜行，他事业有成，家境富裕，但是爱女乔安娜（芭芭拉·格娜加 Bárbara Goenaga 饰）因出生时患有脑炎，因此自幼罹患了一种极为罕见的病症——失认症（agnosia）。这种病症让她在身体各个感官都健全的情况下，无法顺利地认知周遭的人与物。 阿图尔长久以来都在努力寻找治好女儿的办法，而他所掌握的商业机密也都成为同行乃至合作伙伴急欲得到的珍宝。父亲临终之际，将商业机密托付给了乔安娜。与此同时，爱情与诱惑接连降临，而在这份看似浪漫的追求背后，利欲熏心的人们用无情卑鄙的手段伤害着无助的乔安娜……
神秘岛
迈克尔·克雷格,琼·格林伍德During the US Civil War, Union POWs escape in a balloon and end up stranded on a South Pacific island, inhabited by giant plants and animals. They must use their ingenuity to survive the dangers, and to devise a way to return home. Sequel to '20,000 Leagues Under the Sea' . Written by Stewart M. Clamen