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盖尔:黄砖路
Chloë Crump,Hassan Taj,Laura Kay BaileyDorothy, now an elderly woman haunted by her past, tries to warn her granddaughter Emily before dark forces pull her into Oz, a once familiar land now twisted by horrors.
冲动2023
玛丽亚·露可安诺娃,杰拉·奇塔瓦,Daro Akimidze,Koba Akimidze,Aleksandr Cherednik,Christina Chernyavskaya,Anna Grigoryeva,Ivan Ivashov,Dmitry Khalileyev,Issa Khasatsov,斯塔亚·科莫里基-格兰科夫斯卡亚,Dmitry Khromyh,Islam Kurukov,克塞妮娅·库捷波娃,Albert Misirov,Anna Mustina,Nikolay Orlovskiy,卡里一位内向的俄罗斯父亲和十几岁的女儿住在一辆面包车里。面包车装着他们的全部生活,包括一套电影放映设备。那是他们微薄收入的来源。这对无名的父女从南到北,在他们广阔国家的极端气候中漫游。
断魂小丑3
杰森·帕特里克,丹尼尔·洛巴克,大卫·霍华德·桑顿,劳伦·拉维拉,拜斯·约翰逊,布拉德利·斯泰克尔,克里斯·杰里科,萨曼莎·斯卡菲迪,玛格丽特·安妮·佛罗伦斯,埃利奥特·富勒姆,亚历克萨·布莱尔·罗伯逊,Antonella Rose,克里斯·福克斯,夏洛特·麦基,西耶娜·休伯特-罗斯,奇普·卡里尔,卢西亚娜·凡德特,Annie Lederman,Kellen Raffaelo,安妮·莱德曼在经历了小丑阿特的万圣节大屠杀后,西耶娜和她的兄弟正在努力重建他们破碎的生活。随着节日的临近,他们试图拥抱圣诞精神,把过去的恐怖抛在脑后。但就在他们以为自己安全的时候,小丑阿特回来了,决心把他们的节日欢乐变成一场新的噩梦。随着阿特释放出他扭曲的恐怖,节日很快就结束了,证明没有一个节日是安全的。
公寓2024
斯文·索奇塔,细田善彦,Rous Mony,Touch Narady,ManikaFollowing her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present. Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.