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冰封之地
尼古拉斯·凯奇,约翰·库萨克,凡妮莎·哈金斯,凯瑟琳·拉·纳莎洛杉矶之战
艾伦·艾克哈特,拉蒙·罗德里格兹,威尔·罗斯海尔,科里·哈德里克,吉姆·帕拉克,基诺·安东尼·佩西,尼欧,詹姆斯·廖,布里吉特·莫伊纳汉,诺尔·费舍,阿德托库姆布斯·麦克马克,布赖斯·卡斯,迈克尔·佩纳,米歇尔·罗德里格兹,小尼尔·布朗,泰勒·汉德雷,乔伊·金,卢卡斯·提尔,Kenneth Brown Jr.,雅丹·古尔德,乔·克里斯特,E·罗杰·米切尔,罗斯·布莱克维尔,苏西·阿布罗梅特,布兰迪·科尔曼,大卫·詹森,汤姆·希尔曼,莉娜·克拉克,塔琳·萨瑟恩,詹姆斯·D·德弗,Dane Brown,Gra阿尔及尔之战
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劳伦斯·鲁波,大卫·舒特,塞巴斯蒂安·乌泽多夫斯基,安德烈·赫尼克,阿尔恩特·施韦林·索瑞,伦纳德·昆兹,Tilman Strauss,Yoran Leicher影视排行
欣德·拉贾布之声
克拉拉·库里 , 萨贾·基拉尼 , 莫塔兹·马希斯 , 阿莫尔·何勒赫尔突尼斯导演考塞尔·本·哈尼亚将把巴勒斯坦六岁女童欣德·拉贾布的悲剧搬上银幕。2024年1月29日，欣德乘坐的车辆在加沙遭以色列军队袭击，她被困车中通过电话绝望求救，12天后被发现与家人一同遇难。影片将追溯这通生死未卜的求救通话背后，一个幼小生命在战争废墟中的最后时刻。
昏神
迈克·C·曼宁,格里芬·弗里曼,瑞恩·平克斯顿,奥格斯·罗德,特里萨·纳瓦罗A group of young men dare a classmate to reach the porch of a legendary old house, said to be haunted by the thirteen victims of a family massacre. In hopes of making a viral video they arm him with a video camera to prove he was there or to capture him fleeing in terror before even reaching the house, as others have. When he doesn't return, the guys must go in to get him. Inside they discover the truth about the house, the fate of their friend and their own fate as well.
地狱迪斯科
Soni Bringas,Stephen Ruffin,海伦妮·尤迪一对年轻夫妇准备烧毁洛杉矶最热门迪厅的舞池，结果召唤出一股渴望未出世婴儿的黑暗力量
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耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.