剧情纵览
大學一畢業就因為相親而嫁給了比自己年長的丈夫,如此年輕的新嫁人妻體內壓抑不住的費洛蒙不斷散發出誘惑,但年長的丈夫總是加班和出差不在家,而同住的公公卻用詭異帶著獸性的眼神注視著人妻誘人的胴體,不幸的侵犯道德的淪喪就在丈夫不在家的深夜中,像鬼魅般從邪惡的人性中衝出禁錮的獸欄..
大學一畢業就因為相親而嫁給了比自己年長的丈夫,如此年輕的新嫁人妻體內壓抑不住的費洛蒙不斷散發出誘惑,但年長的丈夫總是加班和出差不在家,而同住的公公卻用詭異帶著獸性的眼神注視著人妻誘人的胴體,不幸的侵犯道德的淪喪就在丈夫不在家的深夜中,像鬼魅般從邪惡的人性中衝出禁錮的獸欄..
A gunslinger on a mission from God must track down supernatural creatures as penance for his past sins.
饱受折磨的隐士内维亚与神秘莫测的陌生人芙蕾雅,开启了一段风景如画的公路旅行,却失控陷入混乱。在竭力逃离过往的过程中,她们的友谊在每一次转弯处接受考验——而所有道路都指向一个令人震惊的真相。
故事发生在1966年6月6日的上午6时,在这样一个不吉利的时刻,美国大使罗伯特(格利高里·派克 Gregory Peck 饰)领养了一个男孩并取名戴米(哈维·史蒂芬斯 Harvey Stephens 饰)。随着时间的推移,戴米渐渐长大,一些奇怪事件的接连发生预示着厄运敲响了罗伯特的家门。戴米的保姆莫名自杀后,一个神秘的女人贝洛克(比莉·怀特劳 Billie Whitelaw 饰)毛遂自荐留在了戴米的身边。之后,神父博南(帕特里克·斯偌顿 Patrick Troughton 饰)找到了罗伯特,他告诉罗伯特,戴米是撒旦的孩子,戴米会不择手段完成统治世界的野心。对于神父的话,罗伯特半信半疑,直到博南神父的死讯传来,罗伯特才意识到,事态的发展是多么的糟糕。
Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster