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〇〇式
九十九黄助,吉田ヤギ讲述某处某个“式”的故事——它究竟是祝福，还是一场离别的仪式？答案，藏在某个尚未抵达的地方。
大明嫔妃之选秀
何杜娟,关慧卿,思漩,陈一诺,王春妹,朱一龙皇太子争选太子妃，兰心本有所爱，却不得不进到太子府，因为才华出众，深得皇太子和纪淑妃的喜爱，兰心被嫉妒和排挤，在太子府里受尽磨难！ 其实一切阴谋都是秀女姚芊芊设计的，姚芊芊是万贵妃的人，自己参选秀女就是为了接近太子，协助万贵妃铲除太子，虽然她心中也另有所爱，但不得不去争选太子妃，铲除一切阻碍自己当上太子妃的秀女。 姚芊芊陷害兰心通奸，差点害的兰心被赐死，关键时刻兰心被梅儿所救。几日后公布太子妃人选之时，纪淑妃为了顾全大局，还是让姚芊芊当上了太子妃，姚芊芊十分痛苦内心挣扎，兰心、梅儿、金碧瑶当上侧妃，大家各怀念想……。
无名之町
福山雅治,有村架纯,成田凌,生田绘梨花,木村昴,森永悠希,秋山宽贵,犬饲贵丈,冈崎纱绘,森崎温,丸山智己,滨田麻里,伊藤淳史,生濑胜久,仲村亨退休中学教师神尾英一被人杀害，即将于两个月后结婚的女儿神尾真世（有村架纯 饰）在得知父亲突然离世的消息后，返回了自己的家乡。然而，这座小镇自疫情蔓延以来，已失去了往日的活力，游客稀少，气氛沉寂。深受学生们爱戴的教师英一，究竟为何遭人杀害？渴望揭开真相的真世面前，出现 了一位神秘的男子——她的叔叔神尾武史（福山雅治 饰），一位曾在拉斯维加斯享誉盛名的前魔术师…… 本片改编自东野圭吾的同名小说，讲述了主人公以观察人类和诱导审问为武器，和侄女一起解决疑难事件的故事。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.