初夜洞房档案
本片搜集十二个洞房趣事，是一部写实的男女性爱档案，其中有一段涉及夫妻间的性暴力问题，究竟丈夫未得到妻子同意下强行性侵犯算不算是强奸行为？世界最新判例：丈夫应判”强奸罪”，本片更有其它不同档案的实艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan。
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沙漠战士
安东尼·麦凯,本·金斯利,艾莎·哈特,沙尔托·科普雷,纽曼·阿卡,盖佐·罗赫里格,加桑·马苏德,塞米·鲍亚吉拉,纳比勒·埃卢比,拉姆齐·法拉加拉,Saïd Boumazoughe,哈基姆·卓马,拉米斯·阿马尔,大卫·索尔塔尼,Omar Al-Atawi7th century Arabia. A time of feuding tribes vying for power and supremacy. Courageous Princess Hind (Aiysha Hart) refuses to serve as concubine to the merciless Sassanid Emperor Kisra (Sir Ben Kingsley). Escaping with her father King Numan into the vast and unforgiving desert, Hind is pursued by Kisra’s mercenary and his bloodthirsty troops. Father and daughter are forced to trust a mysterious bandit (Anthony Mackie). Against all odds, Hind unites the fractious tribes against the powerful invading military of the Sassanid Empire. In an epic showdown, the Battle of Ze Qar will forever change the Arabian Peninsula and echo throughout history.
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
我的宝贝2
梅拉达·素斯丽,苏提拉克·素维杰拉,查卢彭·提坤朋提拉翁,Tatchaya Supatanyasatit,Fon Tanasoontorn,Krisana Panpeng见证乔和阿农之间的深厚纽带，这种纽带在许多世和转世中都是持久的。
荒漠恶种
凯特·林恩·希尔,斯科特·黑兹,Alex Montaldo一名男子在加利福尼亚沙漠徒步旅行时，发现自己的车不见了。当他四处寻找时，他跟着一个流浪的男孩，最终来到了一个年轻女子占据的偏远小屋。两人之间发生了一种奇怪的动态，伴随着几次与威胁女孩的男孩的暴力冲突。当这个男人意识到他掉进了一个精心设计的陷阱时，想要避免他将要遭受的可怕后果已经太晚了。《种子》是作家兼导演巴纳比·克莱的一部大胆、噩梦般的处女作，他的著名mv作品包括Gnarls Barkley的歌曲、“YYYs”等。这部慢热的震撼剧讲述了有毒的男子气概和我们对孤立的恐惧，它有效地呈现了一个男人在面对绝望和生存之战时心理的恶化。作为新人，巴纳比·克莱是一位不可忽视的导演。(南宗锡)
装袋计划
拉维·卡普尔,兰斯·金赛,Gill Gayle,戴安娜·李·伊诺桑托面对癌症，奥斯卡训练他的残疾儿子比利在杂货店装袋，希望在时间耗尽之前为他找到一份工作和独立。
毛骨悚然撞鬼经 2016夏季特别篇
稻垣吾郎,武井咲,丰岛花,板谷由夏,中岛健人,前野朋哉,半海一晃,生田绘梨花,生驹里奈,斋藤飞鸟,白石麻衣,西野七濑,笨蛋节奏,岸井雪乃,吉本美憂,利重刚,柳叶敏郎,前田敦子,鹿贺丈史病房里的五元硬币：护士吉川亚由美（武井咲 饰）发现，每当小病人麻友呆呆地指着某个房间某个病床时，该病床的病人就会很快死去。壁橱好可怕：心怀美容师梦想的青年干也（中岛健人 饰）在东京租住了一间廉价公寓，然而房间内的壁橱门总会莫名其妙打开。多出一个人的电梯：四名高中女孩去看望骨折住院的好友上崎亚矢奈因（生驹里奈 饰），当她们准备坐电梯离开时，电梯内突然好像又进来一个“人”。诅咒绘马：小岛洋介（バカリズム 饰）意外得到一个会带来厄运的绘马，他试图摆脱却没有办法。夏季通知：不顾父亲反对而闯荡东京的朋子（前田敦子 饰）饱受挫折，偏偏她发现已经去世的父亲（鹿贺丈史 饰）时不时出现在他的身边。引诱池塘：已步入老年的高松（柳叶敏郎 饰）告别子女，打算在度假区多待一天，夜幕降临，他似乎看到去世妻子的鬼魂在召唤着他。