雍女传

8.7 播放:54万 2026-05-24

雍女是朝鲜最性感的女人,论性技与美貌,世上没有女人是她的对手,同时也没有一个男人能够满足她的热烈欲火。雍女的费洛蒙像是爆发的长白山,魅惑了身边所有男人的心智,让他们嗑了再多高丽人参也难逃精尽人亡的淫劫!太过性感的罪刑,就是遭到其他女人的攻讦,雍女被迫离开家乡,孤苦无依的她内心寂寞,直到遇上天赋异禀的奇男子卞岗。

在线看

同款热播

致命玩笑2001

保罗·沃克,斯蒂夫·扎恩,莉莉·索博斯基,布莱恩·雷科内尔,吉姆·比弗,特里·伦纳德,格温达·迪肯,休·达恩,杰伊·埃尔南德斯,沃尔顿·戈金斯,泰德·拉文,帕特里克·罗伯特·史密斯,Jessica Bowman,Stuart Stone,Basil Wallace,Mary Wickliffe,McKenzie Satterthwaite,Dell Yount,Kenneth White,Luis Cortés,Michael McCleery,Rachel Singer,John Maynard,蒂姆·

  暑假来临,大学新生刘易斯·托马斯(保罗·沃克尔 Paul Walker 饰)决定穿州过省,前往新泽西去看望他自高中时代便喜欢的女孩维娜·威尔柯斯(Leelee Sobieski 饰)。为了打发旅途上的无聊时光,他将正因酒后驾车蹲局子的老哥富勒(史蒂夫·赞恩 Steve Zahn 饰)保释出来,兄弟俩一路通行。  旅途中,富勒买了一部车载对讲机,与其他的司机扯皮聊天。期间他们搭上一个绰号“锈钉”的卡车司机,富勒突发奇想,怂恿弟弟假扮女人用对讲机勾引锈钉。对他们来说,这似乎是旅途中一个无伤大雅、转眼就忘的玩笑。没想到他们却惹上了这个难缠和恐怖的家伙。在接下来的时间里,锈钉成为刘易斯、富勒和维娜难以摆脱的噩梦……

红嫁衣:纸新娘

何雨宸,贺刚,邱俊龙,许诺,雷琨,张宸彬,徐喆,朱嘉镇

中元鬼节,阴间大门洞开!滔天鬼气喷涌,无数怨灵哀嚎爬入人间!凶神恶煞的五猖兵马手持染血铁链,当街撕扯活人魂魄,惨叫声撕裂夜空!修罗城瞬间化成鬼域!阴阳师叶无双与厉飞云临危受命踏入死地。然而,他们遭遇的,是远超想象的极恶凶灵:红嫁衣纸新娘!夜半三更,回魂之夜,四名惨白纸人,脸颊涂着诡异腮红,嘴角裂至耳根,关节咔咔作响,抬一口薄皮棺材,脚不沾地,直扑国舅府。翌日,国舅仅剩一张人皮,被折成纸偶塞进棺中。红嫁衣所过之处,寸草不生,活物绝迹!街坊邻里,前日犹在寒暄,一夜之间,整条街住户尽化僵硬纸人,脸上凝固着死前极致的恐惧!孩童捡起一张飘落的红纸钱,当晚全家七窍流血,身体在惨叫中干瘪脆裂,化作纸屑!纸新娘索命降临,无人生还!修罗城,这座活人之城,被无法抗拒的怨气拖向无间鬼蜮深渊………

尸咒

金允慧,宋以载,朴智勋,李相亚

  以实验电影闻名海外各大电影节的知名导演辉旭(朴智勋 饰),为了拍摄以舞蹈为主题的新作品,将与新人演员诗映(金允慧 饰)、彩允(宋伊才 饰)一起在废弃学校的屋顶上进行拍摄。以破格、粗暴的舞蹈动作开始进行拍摄后,演员和制作人们被一股神秘力量吞噬,拍摄现场瞬间陷入惨不忍赌的情况。「活尸苏醒了!」面对不该醒来的存在,他们的命运将会如何……

星辰之怒

杰克·麦克维,安德里亚·提瓦塔,Elijah Rowen,奥塔尔·萨拉利兹,Weronika Lesiak,Jord Knotter,Malgorzata Klara,Mayu Gralinska-Sakai,Sylwia Sokolowska,Monika Gieron

一个来自国际特种部队的女人的故事,她对人类即将结束有预感。《乱世佳人》是一部由多部获奖短片《不再有明星》发展而来的故事片。

血路姐弟

 A local-language action film in which a former martial arts athlete must face a network of loan sharks to save her younger brother, who is trapped in online gambling debt and risking their family’s safety.

好像一切都很糟糕

Melis Sevinç,Melisa Bostancıoğlu,İbrahim Arıcı,Mert Can Sevimli

Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night.   However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements.   Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires.   源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster