我的丈夫，我的爱人
艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan暂无简介
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英雄百夜
艾玛·科林,麦卡·梦露,尼古拉斯·加利齐纳,埃米尔·艾尔-马斯里,查莉XCX,理查德·E·格兰特,菲丽希缇·琼斯,瓦拉达·塞图,克里斯托弗·法里班克,马凯拉·卡维纳赫,汤姆·斯托顿,克莱尔·珀金斯,乔什·柯德雷,萨菲亚·奥克利-格林,毕扬·丹斯曼,杰夫·米尔扎,Olivia D'Lima,乔丹·库尔森,迈尔斯·基奥治,科里·彼得森讲述一个女性主义童话故事，为《一千零一夜》的新编，聚焦两个相爱的女人Cherry（麦卡·梦露 饰）和Hero（艾玛·科林 饰）：Cherry与邪恶的男子Jerome（埃米尔·艾尔-马斯里 饰）结了婚，Jerome与他的朋友、好色的恶人Manfred（尼古拉斯·加利齐纳 饰）打赌，看Manfred能否在100晚之内勾引Cherry，如果Manfred成功，Jerome就把城堡和Cherry送给他。对此毫无兴趣的Cherry与她的女仆兼情人Hero策划了一计：在那100个夜晚，Hero将给Manfred讲述一些吸引人的故事，让Manfred从勾引计划中分心。
龙门相
何熙维,马国伟,段琼,赵东飞,沃志强,李桃东北小镇，白事先生张英豪和卖狐皮的王元顺意气相投。但背地里王元顺却与张英豪的媳妇李文红有染。李文红怀上了王元顺的孩子，王元顺决定杀死张英豪。然而他雇佣来的杀手竟屡屡失手。王元顺杀人不成反被杀手讹钱。无奈之下，他开始挑拨杀手们的关系……一年后，一具尸体惊现废井。警方确定王元顺有重大作案嫌疑。可王元顺却已离奇失踪，仿佛人间蒸发……
亡命竞速
Jason Park,Christopher Deon,Luka Dingess,Brandon Dunlap,Nadia Adelay,朱迪·阮,Oscar Rockwell艾斯与他手下的一队精英街头赛车手，在一个神秘组织威胁到他身边之人时，被迫卷入一项高筹码任务。在“四朋友”事件之后，他们发现自己竟在为恶名昭彰的“刺客教会”效力，并被指派去完成一项不可能的工作。然而，当他们不断突破极限时，却揭示了一个令人不寒而栗的真相——失败本就是计划的一部分。在这场肾上腺素飙升的惊悚之旅中，背叛、速度与生存激烈碰撞，真正的竞赛不仅为了胜利，更是为了活命。
自由万岁
华莱士·比里,里奥·卡利罗,菲伊·雷In this fictionalized biography, young Pancho Villa takes to the hills after killing an overseer in revenge for his father's death. In 1910, he befriends American reporter Johnny Sykes. Then a meeting with visionary Francisco Madero transforms Villa from an avenging bandit to a revolutionary general. To the tune of 'La Cucaracha,' his armies sweep Mexico. After victory, Villa's bandit-like disregard for human life forces Madero to exile him. But Madero's fall brings Villa back to raise the people against a new tyrant...
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
黑暗崛起
卡特丽娜·洛,拜斯·约翰逊,希瑟·马祖尔,迈克·沃特福德,Christian GaniereNearly murdered as a child by her mother, a woman (Katrina Law) returns to the house where her mom went mad.