特别手术室

★ 9.4 播放:13万 更新:2026-05-24

电视台节目主持人卢云未婚先孕,医生园园为她做了人流手术。卢云感到未婚先孕是个很重要的社会问题,想对此搞个专题报道,得到主任的热情支持。卢云与园园成为了好朋友,在医院采访的过程中,卢云见到了各种各样来做人流的女孩。其中有一个叫京京的女孩,被其父亲强暴,被迫来做人流。为躲避卢云的追问,她选择去私人医院做人流,结果流血过度,神志不清,撞车身亡。同时,卢云的爱情也发生了问题,她的男友在外面有了另一个女人。顶着各方面巨大的压力,卢云努力地工作着。转播室里,卢云的专题报道如期播出。

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剧情简介

电视台节目主持人卢云未婚先孕,医生园园为她做了人流手术。卢云感到未婚先孕是个很重要的社会问题,想对此搞个专题报道,得到主任的热情支持。卢云与园园成为了好朋友,在医院采访的过程中,卢云见到了各种各样来做人流的女孩。其中有一个叫京京的女孩,被其父亲强暴,被迫来做人流。为躲避卢云的追问,她选择去私人医院做人流,结果流血过度,神志不清,撞车身亡。同时,卢云的爱情也发生了问题,她的男友在外面有了另一个女人。顶着各方面巨大的压力,卢云努力地工作着。转播室里,卢云的专题报道如期播出。

导演精选

奥赛罗

  奥赛罗(谢尔盖·邦达尔丘克 Sergei Bondarchuk 饰)是骁勇善战的大将军,元老的女儿苔丝狄蒙娜(伊琳娜·斯科布采娃 Irina Skobtseva 饰)爱上了他,但因为奥赛罗是一名黑人,所以两人的婚事遭到了元老的反对。不愿意就此放弃这段感情的两人决定私定终身,这个秘密被一直嫉妒奥赛罗的旗官伊阿古(安德烈·波波夫 Andrei Popov 饰)给暗中偷听到了,于是伊阿古决定破坏这段姻缘。哪知道伊阿古的捣乱反而促成了这段婚事。  伊阿古并没有善罢甘休,奥戴罗和苔丝狄蒙娜结婚之后,伊阿古通过伪造定情信物的手段开始挑拨这对夫妻之间的感情。占有欲极强的奥赛罗很快就走进了伊阿古设置的圈套之中。

死在那年夏天

  乔伊是学校里公认的校花,她拥有着美丽的面孔和优越的身世,毫无疑问每日生活在幸福之中。然而某一日,这位集万千宠爱于一身的可爱姑娘却在社交网络上留下了“我想死”的绝望信息。阿信是乔伊的男友,两人之间感情十分要好,看到女友闷闷不乐的样子,阿信决定同好友阿敢一起,带着乔伊和她的闺蜜小敏前往海边度假。  众人本以为,这会是一场充满了疯狂和欢乐的旅程,然而,乔伊的惨死却为这场派对蒙上了惊悚恐怖的阴影。余下的三人受到了不小的惊吓,他们决定隐瞒整个死亡事件,希望生活能够就此回归平静。不过显现,乔伊的冤魂并不愿意放过他们。

好像一切都很糟糕

Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night.   However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements.   Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires.   源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster