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外星人爆发
Ritchie Crane,Katherine Drake,Philip Alexander Baker,Ian Rowe,克里斯·巴尼科特,Tom Menary,Gemma Wilks,吉米·本内特In a small rural community local police officers Zoe and Patrick begin their shift as normal but it soon becomes clear that something is wrong. Strange events unfold before their eyes, residents begin behaving strangely and mass suicide panic spreads amongst the community they are trying to protect. Zoe and Patrick realise they are under siege from alien machines as they become cut off from the outside world. They are forced to do battle against these uninvited visitors. With the help of some of the residents Zoe and Patrick begin unravelling the mystery and soon discover it is not all as it seems. Can Zoe and Patrick save their community and the outside world from extinction? 在一个小的农村社区，当地警察佐伊和帕特里克开始正常换班，但很快就清楚出了问题。奇怪的事情展现在他们眼前，居民开始奇怪的行为，大规模的自杀恐慌在他们试图保护的社区中蔓延。佐伊和帕特里克意识到，当他们与外界隔绝时，他们正受到外来机器的围攻。他们被迫与这些不速之客作战。在一些居民的帮助下，佐伊和帕特里克开始解开这个谜团，很快发现它并不像看上去的那样。佐伊和帕特里克能拯救他们的社区和外部世界免于灭绝吗？
浪漫杀手真人版
上白石萌歌,高桥恭平,木村柾哉,中岛飒太,高桥光,伊藤俊介,上坂树里,森香澄,本多力,藤堂日向,津田健次郎,白滨亚岚,宫田俊哉,仓悠贵,醍醐虎汰朗,犬饲贵丈,西垣匠,优太朗,内藤秀一郎,丰田裕大,高杉真宙,矢本悠马,藤原丈一郎,佐藤大树,与那城奖,竹财辉之助本片改编自同名漫画，讲述了沉迷游戏、巧克力和猫、毫无恋爱兴趣的高中生星野杏子（上白石萌歌 饰），被魔法使莉莉强行卷入“一个月内必须恋爱”的任务中。为拯救因恋爱能量枯竭而濒临崩溃的魔法界，莉莉夺走杏子的快乐来源，并制造一连串浪漫陷阱，试图让她坠入爱河：酷帅转学生香月司（高桥恭平 饰）、天然幼驯染速水纯太（木村柾哉 饰）、傲娇王子小金井圣（中岛飒太 饰）轮番登场，还出现了强制同居、班级重编等浪漫套路。面对一波波胸动心跳的攻势，杏子能否坚持自我、恢复平静生活？“我是浪漫杀手——谁来都放倒！”
网住你的心
伽罗·阿德瓦尼,阿迪提亚·西勒,Chirag Pardesi,Paras Gola,Rajesh Jais,Shivam Kakar,Manish Chaudhary,玛丽卡·杜阿,Yudhishtir Urs,Ansuman Bhagat,Amit BimrotA coming-of-age story of a girl who experience life through misadventures & dating apps.
飞行家2025
蒋奇明,李雪琴,董宝石,姜武,杨玏,蒋易,雷佳音,董子健,王彦霖,欧剑宇,英泽,郑昊森,周铁男,鹏飞,韩秀一,周小川,郝奕鸣,赵海涛,鞠可儿,刘亦淳影片讲述东北“犟种”李明奇（蒋奇明 饰）和他的妻子高雅风（李雪琴 饰）如何用一辈子的时间，守护一个“飞上天”的大梦想。在生活的重压下，这个梦想时而成为谋生的工具，时而又成为照亮绝境的唯一光芒。为了托起沉甸甸的生活，李明奇从599米的高空一跃而下，对命运做出勇敢反击。
走心男
权相佑,文彩元影片翻拍自阿根廷电影《膝下无子》，讲述了高中时期遇见初恋的男人无意间将家庭史变成秘密而展开的一系列风波浪漫喜剧故事。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.