剧情纵览
今次陈庆嘉只当监制,导演请了李功乐执导,影片会有很多粗口对白,性爱场面也不少,其实该片以搞笑为主,故事讲述在港生意失败的杜汶泽,被迫到日本做AV男优还债,一次偶遇香港过气妓女何超仪,原来超仪也是因为在港没发展,决定到日本做AV女优,她就以自己经验教导阿泽做男优的技巧,学识必杀技后,阿泽竟然越做越红,超仪还当了他的经理人,两人因日夕相对还发生了感情
今次陈庆嘉只当监制,导演请了李功乐执导,影片会有很多粗口对白,性爱场面也不少,其实该片以搞笑为主,故事讲述在港生意失败的杜汶泽,被迫到日本做AV男优还债,一次偶遇香港过气妓女何超仪,原来超仪也是因为在港没发展,决定到日本做AV女优,她就以自己经验教导阿泽做男优的技巧,学识必杀技后,阿泽竟然越做越红,超仪还当了他的经理人,两人因日夕相对还发生了感情
根据余华同名小说改编。富少福贵(葛优)嗜赌成性,妻子家珍(巩俐)屡劝无果后带着女儿凤霞离开了他,当夜,福贵输光所有家产气死父亲,被迫靠变卖母亲首饰租间破屋过活。一年后,家珍手拉凤霞怀抱刚出世的儿子有庆回到家中,福贵痛改前非,开始靠演皮影戏过起安份守己的日子。但好景不常,内战时期,福贵被国民党抓去当劳工,一番辗转终回到家乡与一家人团圆后,凤霞因病变成哑巴,而在后来的大跃进运动和文化大革命中,他虽获某些小福,逆境却也一直与他如影相随。
麦可(狄恩肯恩饰)在路上搭载了年轻性感的正妹(克莉丝汀波森饰),麦可原先认为漫漫公路有正妹相伴艳福不浅,自以为遇上了豔遇的他,却不知道自己即将陷入一连串的阴谋及杀机,一趟没有终点的旅程即将展开… 故事描述一个男人在路途中载了一位年轻的女人,原来只是好心借人搭便车,结果男主人公却发现自己陷入了一场可怕的午夜梦魇…… If she looks too good to be true, then she absolutely is. Just ask Michael Anderson (Dean Cain), a gullible film editor who picks up a sexy young hitchhiker (Christie Burson) in the Arizona desert. After the most thrilling one night stand of his life, Michael becomes embroiled in a twisted love con involving a sadistic crime boss (Michael Madsen), a lonely henchman, and a thieving bank manager. Trust isn't just a bitch, it's a dirty little trick! A crime bosss money is missing and he wants it back by any ay means. The beautiful hitchhiker has it and wants to make the getaway. Alexander "Sasha" Shulgin is the scientist behind more than 200 psychedelic compounds - including MDMA, more commonly known as Ecstasy. Considered to be one of the greatest chemists of the 20th century, Sasha's vast array of discoveries have had a profound impact in the field of psychedelic research, making him a subject of fascination and controversy among fellow scientists and a folk hero to recreational users of psychedelics. Dirty Pictures uncovers the lifework of Dr. Shulgin and takes viewers inside his Northern California home where he lives with his wife of 40 years and continues to carry out experiments in a makeshift laboratory. Director étienne Sauret likewise delves into the broader world of psychedelic research - where the fields of chemistry, neuroscience and philosophy intersect - and investigates whether or not this particular field could aid in solving the deepest mysteries of the human mind.
此片是卢贝松再影坛还没没无闻时,凭著一腔热血,旺盛活力与爆发力, 突破一切传统,挣脱一切商业机制下的樊笼,冒著无色彩,无对话,无明星等大讳所完成的电影。当影片完成时,因宣传无门,于是卢贝松带著这部影片参加瑞士阿沃基影展,一举拿下评审特别大奖及影评人奖,因而打开他的国际知名度。解剖核子战后的文明废墟,因为无色彩,所以这是一部黑白色调的电影。
本片是由哥伦比亚电影公司出资委任电视纪录片导演皮特•戴维斯(Peter Davis)拍摄的一部探讨美国为何在1959-1975年期间发动对越战争,越南人民的悲惨遭遇,以及美国人民对越战态度转变的纪录片。这是美国本土首次放映直接采访刻画越南平民惨境的影片,片中多次表现了美军将领的种族主义和美国政府对国内人民的无耻欺骗。电影于1974年在法国嘎纳电影节首映,随即便因内容的严重争议性被哥伦比亚公司搁置。制片人波特•施耐德(Bert Schneider)与亨利•兰格(Henry Lange)向哥伦比亚公司买回了版权,并终于1975年通过华纳公司在美国公映。本片获1974年奥斯卡最佳纪录片奖,并被提名同年金球奖最佳纪录片。