呼喊与细语

★ 6.5 播放:23万 更新:2026-05-26

艾格尼丝(哈里特·安德森 Harriet Andersson饰)、玛丽亚(丽芙·乌曼 Liv Ullmann饰)和卡琳(英格里德·图林 Ingrid Thulin饰)虽然是三姊妹,各人内心却有着积重难返的隔膜和疏艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan。艾格尼丝身患绝症,生命将近,守护在她身边的是女仆安娜。艾格尼丝没有得到过母亲完整的爱,死前妄想让关系紧张的姐妹变得珍爱彼此,却一再事与愿违。

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剧情简介

艾格尼丝(哈里特·安德森 Harriet Andersson饰)、玛丽亚(丽芙·乌曼 Liv Ullmann饰)和卡琳(英格里德·图林 Ingrid Thulin饰)虽然是三姊妹,各人内心却有着积重难返的隔膜和疏艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan。艾格尼丝身患绝症,生命将近,守护在她身边的是女仆安娜。艾格尼丝没有得到过母亲完整的爱,死前妄想让关系紧张的姐妹变得珍爱彼此,却一再事与愿违。

导演精选

犯罪现场调查完结篇:不朽

  CBS的秋季时间表透露了CSI的最终命运:将推出一个2小时的电视电影作为大结局,元老级角色将回归,包括“葛瑞森”威廉·彼德森、“凯瑟琳”玛格·海根柏格。大结局将于9月27日播出,然后《网络犯罪调查(CSI:Cyber)》第二季接档。

半夜叫你别回头2

新婚的萧灵儿(陆烟 饰)前往儿时的山间别墅度假。途中,诡异事件接踵而至,双生女童、深夜归来的守门人,让萧灵儿惊恐不已。次日,萧灵儿的闺蜜和前男友不请自来,守门人的儿子带着女友来见家长。更恐怖的是,一个神秘的红衣女孩如鬼魂般在深山老宅中闪现,勾起了当地流传已久的鬼娃玛丽传说。在这深山隔绝之地,鬼娃使众人陷入死亡之境。灵异现象频繁出现,血腥事件不断发生,等待众人的是一个埋藏多年的鬼娃复仇传说。

好像一切都很糟糕

Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night.   However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements.   Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires.   源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster