监中女人

 露丝·威尔森、库什·珍宝、裴淳华正商谈主演改编自大热音乐剧《The Band》的新片[最伟大的时光](Greatest Days，暂译)。影片由科奇·吉尔佐(《名姝》)执导，片名灵感源自英国流行组合接招合唱团(Take That)的同名歌曲。故事围绕着五名女学生展开，她们在自己最喜欢的男孩乐队的演唱会上，度过了一生中最难忘的夜晚。25年后，她们的生活以及生活方式发生了翻天覆地的变化，她们相聚在一起回望过去并探索未来。接招合唱团成员包括加里·巴洛、霍华德·唐纳德、杰森·奥兰奇、马克·欧文和罗比·威廉姆斯。环球音乐集团将全力助阵该项目，接招合唱团的大量歌曲将获得使用，包括《Patience》《Back For Good》《A Million Love Songs》《Relight My Fire》《Could It Be Magic》等金曲将全部在影片中呈现。

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

 警探雷文（克里斯·帕拉特 饰）突遭指控，陷入杀妻疑云，被推上由AI判官裁决的审判席。90分钟倒计时启动，他必须借助AI“天眼”系统，在海量数据中寻找翻盘证据，推翻指向自己的致命结论，否则将被当庭处死。然而，调查越深入，嫌疑人越多，数据却不断自我验证、层层锁死真相。当算法 构成无法破解的死局，人类还能否挣脱系统的最终裁决?

　　故事开始于明朝，凤三（元华 饰）心肠歹毒，无恶不作，身为锦衣卫，同时又是凤三的师弟，方守正（元彪 饰）发誓要将凤三绳之于法。然而，凤三此人诡计多端，甚至想要偷取能够扭转时空的黑玉佛，借此逃脱法网，几番争斗之后，两人双双跌落山崖。　　时光荏苒，转眼已是现代，考古队在雪地中挖掘出了凤三和方守正被冰封住的尸体，将两人运往美国研究，然而，途中一场意外却令两人死而复生。方守正于机缘巧合之下遇见了名为阿玉（张曼玉 饰）的不良少女，阴差阳错的成为了她的保镖，而凤三不改奸邪本性，加入了黑社会，继续为非作歹。当方守正得知凤三依旧作恶多端后，他决定继续自己未完成的使命。