纵欲聊斋
艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan兩對感情恩愛的情侶，相約去離島的海邊別墅遊玩，其鈡夢凡在古玩店， 無意鈡買丅被冤魂附身的泥娃娃，不料卻招惹到邪靈，半夜變成殺人狂，引來了一場不可思議，離奇的凶殺案件，以及種種無法預料的危機.....
即刻观影
剧情赏析
编辑推荐
围困4
尤里·索洛明,叶甫盖尼·列别杰夫,伊琳娜·阿库洛娃,弗拉季斯拉夫·斯特尔热利奇克,亚历山大·拉辛,鲍里斯·戈尔巴托夫,谢尔盖·哈钦科,Roman Gromadsky,Aleksei Presnetsov,米哈伊尔·乌里扬诺夫,丹尼尔·萨加尔,Stanislav Fesyunov,Vladimir Voronov,列夫·佐洛图欣,Igor Komarov,Gerbert Dmitriev,German Khovanov,Oleg Khromenkov,Rudolf Chelishchev,Vladimir本片是苏联伟大卫国战争系列史诗巨片之一部。影片尽情歌颂了苏联人民，在德国法西斯围困列宁格勒的900个艰难的日日夜夜，所表现出来的顽强精神。影片及表现了苏军大本营对列宁格勒的战略布防，也表现出列宁格勒市民面对生死的坚忍不拔。同时也是为数不多的苏联战争影片，客观地表现了战争初期红军失利，以及红军将领伏罗希洛夫元帅组织列宁格勒城防的失败。影片还展现了列宁格勒基洛夫工厂，冒着的德军轰炸，坚持为前线生产武器，以及军队和市民通过城市唯一与外界的通道——拉多加湖通道，运送粮食、武器和其他战略物资的场面。该片还较为详实地展示了希特勒攻占列宁格勒的计划，以及红军与市民联手防御，共同抗敌的画面。这部影片，将战争的全景展示与战壕细节完美地结合起来，直到今天仍不失为一部反法西战争的优秀影片，很值得观赏和借鉴。
离奇剧院
乌多·基尔,维吉尼亚·纽科姆,卡特里娜 马科尔,艾米莉娅·戈萨姆,维多利亚·莫蕾特,丽莎·贝尔,安德烈·赫尼克,苏珊·安贝赫,哈维·弗里德曼,戴比·露珍,汤姆·萨维尼,卡内赫迪奥·霍恩,琳恩·劳里,杰西卡·瑞默斯,艾丽莎·道林,杰夫·迪伦·格雷厄姆,达蒙·帕卡德,惠特尼·穆尔,Alex Ivanovici,Amanda Marquardt,Rachelle Glait,Erin Marie Hogan,Jeremy Gladen,Lindsay Goranson,James Gill少女艾诺拉·佩妮（Virginia Newcomb 饰）偶然在深夜进入一家破败的歌剧院，乖张吊诡的演员为她表演了六个异乎寻常的故事：《蟾蜍之母》一对美国夫妇来到法国某偏远山镇旅行，在这里结识了一个诡异的老婆婆；《我爱你》德国柏林，走到尽头的婚姻，歇斯底里的偏执男人让他的妻子再也无法忍受着无处不在的狂爱；《梦遗》饱受邪淫梦境困扰的男人，在梦与现实的夹缝中迷失；《事故》真实的死亡对于一个小女孩来说也许过于费解与残酷，然而这就是它真实的原因；《记忆收集》她杀了求死的女人们，她看见并拥有了她们的记忆；《甜食》一度沉浸在甜食和热恋中的情侣，不知不觉走到了情感尽头。
拍得不错
方中信,周柏豪 ,张兆辉,蔡卓妍,卢海鹏,林雪,李灿森,应采儿,苗侨伟,宣萱由五個單元故事組成的GOOD TAKE，是香港電影新一代導演的創新作品，包括導演曾國祥《水泥》，講述警員9413（周柏豪）前往報案地點查案，最後只留下電話鈴聲卻不見其人，令人毛骨悚然；導演黃智亨的《囍宴》，一個小孩跟著跟爸爸（張兆輝飾）一起前赴媽媽新婚囍宴的故事，童真與成年人的無奈都盡在心頭；導演黃進的《Good Take》，透過甘草演員泰勒(盧海鵬飾)的生活是向資深電影從業員致敬的故事；導演楊龍澄的《不一定》，以型格對比色彩重構暴力血腥鏡頭；導演黃精甫的《嚇鬼》，Charlene（蔡卓妍飾）挑戰鬼屋一夜遊，遇上中國殭屍、長髮貞子和辮子姑娘，過程又驚又笑！五個故事各自有著不同風格及不同戲味！
一起过家家
宋木子,蒋诗萌,合文俊,夏甄,叶泉希,李飞,陈玺旭,杨九郎,衣云鹤,马旭东,李曼,土豆妻子鲍一萌是头部带货主播，丈夫宋李是全职丈夫，弟弟鲍鹏在复读备战高考。一天，三人意外发现互换身体。全家的灵魂与身体分别错位。全职丈夫宋李（小舅子身）重回学校，怀念青春中弹琵琶的梦想，但繁重的学习生活，让他感到力不从心。复读生小舅子鲍鹏（妻子身）不懂管理公司，并在直播时状况百出，女神小静的奋斗让他惭愧。主播鲍一萌（丈夫身）在辅导女儿的生活中发现，做家务和带娃并不简单。相比之下，丈夫开明的教育方式仿佛让女儿的成长更美好。一家人决定支持宋李（小舅子身）重拾琵琶参与音乐比赛。深夜，宋李三人被关在冷藏车内被冻得奄奄一息。他们终于换回来了！一家人的生活重新回到正轨，和谐美满。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
乐开怀
米歇尔·菲佛,菲丽希缇·琼斯,科洛·葛蕾丝·莫瑞兹,伊娃·朗格利亚,詹森·舒瓦兹曼,丹妮尔·布鲁克斯,茉德·阿帕图,丹尼斯·利瑞,多米尼克·塞萨,陈冲,哈瓦娜·罗丝·刘,黛芙芮·雅各,海蒂·纳赛尔,塞尔吉奥·杜克,伊桑·科斯塔尼拉,赛迪·司各特,Rashal James,杰西贾姆斯·洛科里埃,罗克茜·里韦拉,Audrey Hui克莱尔（米歇尔·菲佛 饰）组织了一次特别的圣诞郊游活动，而她的家人却在忙碌中将她遗忘。当他们意识到错误时，她已经失踪了。他们的圣诞节岌岌可危，但克莱尔另有打算。