绿色椅子爱的定义
三十四岁，十九岁，沉浸在纯真之中。在美国留学后为入学考试开办艺术学校的魅力女性文熙与未离婚的丈夫分居，并与长期恋人仁奎和尹教授自由恋爱。带来的不仅仅是夫妻之间的关系。与此同时，她的年轻学生朱元在课堂上总是只画文熙的脸。朱元小时候跟随祖母在婚礼上见到新娘文熙，一见钟情。一天，被带走的文熙在只剩两人的工作室里相爱，沉浸在无法摆脱的陶醉中…
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无眠觉醒
吉娜·罗德里格兹,沙米尔·安德森,詹妮弗·杰森·李,阿丽亚娜·格林布拉特,巴里·佩珀,弗兰西丝·费舍,吉尔·贝罗斯,菲恩·琼斯,塞巴斯蒂安·皮戈特,塞尔吉奥·齐奥,亚历克斯·豪斯,卢修斯·霍约斯,特洛文·海斯,肖恩·艾哈迈德,朱莉娅·迪扬,罗伯特·巴佐齐,柴·瓦拉达雷斯,凯特琳娜·塔克西亚,玛莎·格尔文,埃利亚斯·艾德拉基,Michael Hough末世家园
泰勒·霍奇林,凯特·波茨沃斯,水野索诺娅,兰斯·莱迪克,大卫·达斯马齐连,丹娜·格瑞尔,劳拉·凯洛蒂,兰斯·E·尼克尔斯,杰夫·蔡斯,布拉德·利兰,戴夫·戴维斯,大卫·詹森,托马斯·弗兰西斯·墨菲,迈克·P·纳尔逊,吉姆·格里森,戴恩·罗兹,Jacinte Blankenship,埃迪·马休斯,Mary Alice Risener,Nina Leon,Dillon Ahlf,阿尔·维森特,Jaren Mitchell,Oscar Gale,Steven Grossman,李·珀金斯,Deven MacNa反恐疑云
杰克·吉伦哈尔,瑞茜·威瑟斯彭,梅丽尔·斯特里普,艾伦·阿金,彼得·萨斯加德,奥玛尔·梅特瓦利,艾格尔·纳尔,哈达尔·拉特松·罗滕,J·K·西蒙斯,西蒙·阿布卡瑞安,莫阿·库阿斯,奇内布·乌凯什,阿拉米斯·奈特,Rosie Malek-Yonan,穆尼尔·马戈姆,鲍勃·冈顿,雷曼德·阿萨雷米,Wendy Phillips,Christian Martin,哈萨姆·甘西,纳吉布·尼西里,芭妮·里维拉,安妮·贝坦克特,理查德·多顿,Floella Benjamin,Michael Dube,斯蒂夫·汤姆,罗伯鬼店另有主
萨拉·帕克斯顿,帕特·希利,凯莉·麦吉利斯4度空间大师
罗伯特·兰辛,李·麦瑞威瑟,James Congdon翠湖
李振平,王娟,李红梅,刘蕾,李珂而,毛珍禧,祖尚炳皓 ,付斌,张会苓,张英伟同类推荐
新年伊始 不合适也要有个限度！～不能认真聊聊吗？～
阿部贞夫,仲里依纱,矶村勇斗,吉田羊,河合优实,锦户亮,江口德子,袴田吉彦,小野武彦,坂元爱登,三宅弘城,八岛智人,中岛步,山本耕史,古田新太2026年新年，渚（仲里依纱 饰）在咖啡店“SCANDAL”迎来意外访客——从昭和穿越而来的市郎（阿部隆史 饰）。借助井上（小野武彦 饰）研发的“时间隧道”，他们得以往返各个时代。市郎试图改变女儿纯子（河合优实 饰）与命运的相遇，又回到1995年地震前夕阻止悲剧，却引发新的涟漪。与此同时，渚卷入政治风波，支持的女性议员平纯子（江口德子 饰）在2036年竟将成为日本首位女首相。为了守护家人与未来，市郎踏上最后的时空冒险。
梅根失踪
安伯·珀金斯,蕾切尔·奎恩,迪恩·维特,Jael Elizabeth Steinmeyer,王仲欣,Brittany Hingle,Carolina Sabate,Trigve Hagen,Rudy Galvan,艾普尔·斯图瓦特,John K. Frazier,Tammy Klein,Lauren Leah Mitchell,Jon Simonelli,Craig Stoa,尼基·克里斯蒂,安德鲁·道布勒梅根斯和艾米性格迥异，却成为了最好的朋友。一天梅根在网络聊天室里遇见男孩乔希，两人一投即合。然而，梅根在去见乔希后神秘消失，艾米于是竭尽全力寻找好朋友。(文/life_is_good@YDY)
宇宙毁灭记
Jeff Morrow,Barbara Lawrence,John Emery一颗神秘小行星接近地球，后坠入海中，不想其实际上是外星的自动侵略武器，专门吸食地球的资源和电量，更可怕的是如果不能摧毁这个武器，还会有更多的外星武器来到地球。。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
急转直下
凯特·贝金赛尔,斯科特·伊斯特伍德,马特·克拉文,安娜·戈尔佳,塔利亚·亚瑟拉夫,阿文·卡纳尼安,亚历杭德拉·霍华德,罗伯特·法里奥尔,乔丹·杜维尼奥,马达莱娜·瓦莱基·威廉姆斯,帕滕·休斯,马西莫·麦奎因莫琳·达巴格是一位母亲，当她的前夫绑架了他们的小女儿阿米娜并消失在中东时，她的世界崩溃了。绝望而无情的莫琳与罗伯森合作，罗伯森是一名经验丰富的前海军陆战队员，也是儿童绑架案件的专家。这部电影以贝鲁特动荡的背景为背景，讲述了莫琳和罗伯逊陷入一个充满国际间谍、腐败和背叛的阴暗世界。随着时间的流逝，风险高得不可思议，莫琳必须在与时间的赛跑中面对不可能的选择。本片是一段紧张而感性的旅程，探索了一位母亲为拯救孩子所做的努力，即使她在每个转折点都面临着隐藏的危险。