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星河入梦
王鹤棣,宋茜,祖峰,罗海琼,汪铎,谢楠,庞博神探伽利略 禁断的魔术
福山雅治,北村一辉,新木优子,村上虹郎,森七菜,渡边一计,泽部佑,朝仓亚纪,中村雅俊,铃木浩介,平原テツ扫恶
潘斌龙,包贝尔,赵润南,克拉拉,周大勇,郭子恒,侯浩然,于柏林,释小龙,汤镇业,九孔,常铖纽伦堡的审判
斯宾塞·屈塞,伯特·兰卡斯特,理查德·威德马克,玛琳·黛德丽,马克西米连·谢尔,朱迪·加兰,蒙哥马利·克利夫特,维尔纳·克伦佩雷尔极限审判
克里斯·帕拉特,丽贝卡·弗格森,卡莉·瑞斯,安娜贝尔·沃利斯,克里斯·沙利文,凯莱·罗杰斯,杰夫·皮埃尔,拉菲·格拉沃恩,肯尼斯·崔,杰米·麦克布莱德,罗斯·格斯拉,马克·达内里,海顿·道尔顿,迈克尔·C·马洪,诺亚·费恩利,库里·普拉特,杰·杰克逊,马哈茂德·马哈茂德,安雅·阿克斯丁,理查德·赛特伦有情感的机器人
巴莱特·奥利佛,玛丽·贝丝·赫特,迈克尔·麦基恩,Kathryn Walker同类推荐
麻雀女王追男仔
高海宁,马国明,陈家乐,陈静,邱意浓,许绍雄,郭珮文,李尚正,麦玲玲,林盛斌,戴耀明,程可为,蔡洁,林襄,文佐匡龍家村村長龍卷峰(許紹雄飾)育有三女一子,分別名叫龍小東(高海寧飾)龍小南(陳靜飾)龍小茜(郭佩文飾)和龍小北(文佐匡飾) 大家姐小東是連續五年晉身最佳業績的百萬元桌級經理。外表事業女王的小東卻是一個「天生麻將狂」,更偏偏戀上科學家男友馬壯(馬國明飾)馬壯對小東情深一往,只是他一世人最憎人打麻雀,為了不讓愛郎失望,小東竭力隱瞞自己是麻雀狂的真相 二妹小南攻讀戲劇,畢業後當不了演員,卻在片場擔任「親密指導員」,遇上了躁狂影帝千紅哥(陳家樂飾),二人對戲劇追求南轅北轍,但兩個火星撞地球的人偏偏在相處過程由歡喜冤家變成擦出愛火花。 三妹小茜一天竟被小北老闆,胸圍廠太子爺林雨雲(李尚正鉓)落力追求,以為大團圓結局之際誰知真相峰廻路轉,小茜和雨雲相愛背後,其實也暗藏一個驚天秘密。 三對男女,情場上各有各精彩,如何收科?
血爱杀手
平采娜·乐维瑟派布恩,塔纳波·里拉塔纳卡邹,西瓦功·阿达苏提坤女孩从小被杀手家族囚禁抚养,只因她拥有罕见的血型,成为各方势力觊觎的“移动血库”。当宿敌卷土重来,她被迫与家族里守护她的杀手联手,打破囚笼,在枪林弹雨中为自己的生存杀出一条血路,也在并肩作战中,确认了两人之间早已滋生的爱情。
守护恶魔
Mac Van Khoa,Mai Cát Vi,Quoc Truong故事设定在20世纪90年代末的越南西南部乡村,讲述了年轻女子Lan(Phương Thanh饰)在父亲去世后,前往一位名叫Danh(Mạc Văn Khoa饰)的鳏夫家中担任女佣。她很快发现这座房子隐藏着可怕的秘密:神秘的死亡事件接连发生,村庄中流传着关于“守财灵”的传说——一种通过黑暗仪式召唤的灵体,用于守护财产,但会对陌生人造成致命威胁。Lan与一位名叫Sơn(Quốc Trường饰)的恐怖小说作家联手,试图揭开这些离奇事件背后的真相。
寻秦记电影版
古天乐 , 林峯 , 宣萱 , 郭羡妮 , 滕丽名 , 白百何 , 苗侨伟 , 张继聪 , 朱鉴然 , 吴樾 , 洪天明 , 高战 , 邓一君 , 廖启智 , 欧瑞伟 , 陈国邦 , 黄文标 , 蔡一智 , 廖子妤 , 郑雪儿 , 徐伟栋 , 洪天照来自21世纪的项少龙(古天乐 饰)曾意外穿越,并助秦王(林峯 饰)一统天下,这段跨越时空的宿命纠缠将两人紧紧捆绑,两人也成为亦师亦友的情感羁绊。然而,在项少龙归隐田园多年后,未知穿越者却骤然降临,大国基业陷入倾覆危机,秦王不得不求助于早已不问世事的项少龙。面对足以颠覆历史的强敌,他们能否放下芥蒂联手抗敌?那段掺杂着师徒之恩、君臣之畏与知遇之情的情感,又将成为保护彼此的铠甲,还是刺向对方的利刃?
好像一切都很糟糕
Melis Sevinç,Melisa Bostancıoğlu,İbrahim Arıcı,Mert Can SevimliAyşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster