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1922
托马斯·简,莫莉·帕克,迪兰·施密德,凯特琳·伯纳德,尼尔·麦克唐纳,坦娅·钱普,布莱恩·达西·詹姆斯,鲍勃·弗雷泽,埃里克·李塞德,皮特·纽,布鲁斯·布莱恩,格雷姆·达菲故事讲述了一个简单又骄傲的牧场主，为了经济利益和儿子一起谋杀了妻子。而在埋葬其尸体时，他发现自己被老鼠恐吓，并确信妻子并没有放过他！
百烛游戏
Magui Bravi,Luz Champané,Amparo Espinola,克拉拉·科瓦西奇,Agustin Olcese,Amy Smart,James WrightA group of friends must confront their fears in a terrifying game.
最后的救赎2024
娜塔莉·伯恩,詹姆斯·科兹莫,Denisa Juhos在这片充满剑和魔法的土地上，土匪们为了保护一个小女孩而脱离了他们的帮派，让他们与曾经像他们父亲一样的老朋友和前领导人对抗。
童煞惊魂岛
丹尼尔·希梅内斯·卡乔,艾邦·摩斯-巴克拉赫,凡妮莎·肖在一个舒适的季节，弗朗西斯科（艾邦·摩斯·贝克许 Ebon Moss-Bachrach 饰）和怀有身孕的妻子贝丝（凡妮莎·肖 Vinessa Shaw 饰）来到墨西哥某个海滨小镇度假。适值狂欢节期间，小镇四周歌舞升平，纸醉金迷，多少青年男女流连忘返。弗朗西斯科渴望寻觅一个安宁的所在，他找到当地的渔夫，从对方手中租下一艘船，打算在附近某个僻静的小岛安然度过五六天。次日，他和妻子抵达目的地。那里寂静无声，几乎看不到一个人影。岛上的孩子们偶尔逡巡四周，但无一例外脸上都挂着狰狞冷漠的表情。 未过多久，令他们毛骨悚然的事情接连发生。岛上的孩子手执凶器猎杀成人，期间更发出令人不寒而栗的笑声。孩童的杀戮仍在继续，弗朗西斯科夫妇能否逃离……
格拉德贝克人质事件
萨沙·亚历山大·吉尔萨克,亚历山大·谢尔,Marie Rosa Tietjen,阿尔布雷希特·舒赫故事发生在1988年的德国，汉斯（萨沙·亚历山大·吉尔萨克 Sascha Alexander Geršak 饰）和迪特（亚历山大·吉尔 Alexander Scheer 饰）抢劫了位于北威州格拉德贝克的德意志银行，并且劫持了两名银行职员作为人质，带着他们一起踏上了逃往的旅途。 很快，负责此案的迈泽警探就展开了对于汉斯一行人的追捕。为了钳制警方，汉斯的女友玛丽昂（Marie Rosa Tietjen 饰）又劫持了一辆载有三十名乘客的公交车，来帮助男友脱离警方的追捕。因为歹徒手中的人质数量众多，导致德国警方迟迟无法下手，引来了舆论和媒体的不满，与此同时，迪特在一次意外中射杀了年仅14岁的少年曼纽埃尔，这场死亡事件将整个故事推上了高潮。
好像一切都很糟糕
Melis Sevinç,Melisa Bostancıoğlu,İbrahim Arıcı,Mert Can SevimliAyşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster