白日梦
某日，英俊帅气的青年仓桥顺吉（勝然武美饰）和身穿和服、恬静贤淑的叶室千枝子（愛染恭子饰）在牙科医院邂ddd。顺吉为对方的气质所吸引，久久注视，几近忘我。少顷，两人先后走进诊室，经过麻醉后，他们的意识渐渐模糊，继而仿佛进入一个光怪陆离、充满肉欲的奇幻世界。顺吉梦到自己来到一间舞厅，而千枝子是正在台上翩翩起舞的舞女。衣冠楚楚的牙科医生（佐藤慶饰）此时化身邪恶、变态的老板，对千枝子进行肆意虐待与凌辱。顺吉想尽办法，希望带千枝子离开这里。然而眼前的一切亦真亦幻，真伪难辨，仿佛一场痛入骨髓的恶梦一般…… 根据日本官能作家谷崎润一郎的同名小说改编，本片系导演武智铁二第二次将该小说搬上银幕，据上一部间隔17年之久。
在线播放
剧情简介
某日，英俊帅气的青年仓桥顺吉（勝然武美饰）和身穿和服、恬静贤淑的叶室千枝子（愛染恭子饰）在牙科医院邂ddd。顺吉为对方的气质所吸引，久久注视，几近忘我。少顷，两人先后走进诊室，经过麻醉后，他们的意识渐渐模糊，继而仿佛进入一个光怪陆离、充满肉欲的奇幻世界。顺吉梦到自己来到一间舞厅，而千枝子是正在台上翩翩起舞的舞女。衣冠楚楚的牙科医生（佐藤慶饰）此时化身邪恶、变态的老板，对千枝子进行肆意虐待与凌辱。顺吉想尽办法，希望带千枝子离开这里。然而眼前的一切亦真亦幻，真伪难辨，仿佛一场痛入骨髓的恶梦一般…… 根据日本官能作家谷崎润一郎的同名小说改编，本片系导演武智铁二第二次将该小说搬上银幕，据上一部间隔17年之久。
同类好片
猎枭风暴
鲁诺,徐佳,田松,骆达华,王志刚,石兆琪,吕星辰,阚宇,张莎莎,李艺东,陈画风,袁苑,安琥,庄小龙保护者2025
米拉·乔沃维奇,马修·莫迪恩,D·B·斯威尼,唐·哈维,迈克尔·斯塔尔-大卫,滨村洋子,特夏斯·巴特尔,伊莎贝尔·迈尔斯,布鲁克林·苏丹诺,丽迪雅·赫尔,泽维尔·埃斯特拉达,兹亚·格拉卡,Telles Alberto Rene,Lizeth Lopez,Gabriel Sloyer,Arica Himmel,Justin Hurr,Eric Weiss,Shane Williams,Nick Genta密室绑架
杰拉·哈斯,克雷蒙斯·施伊克,马克斯·冯·德·格罗本食人晚宴
Alexandra Lesch,Kristiana Rohder,Lara Baum黄金七令之罗刹风云
任子豪,何雨宸,李子雄,李家辛,徐俊,谢昌定,朱翔,曹忆,钱婧睿,张宸彬,高迦澜,曾庆生,范奇世界大战：辐射
威廉·鲍德温,迈克尔·帕尔,凯特·霍吉,哈文·巴拉卡,Jessy Holtermann,布莱恩·莱蒙斯,Ryan Jones人气佳作
惊声尖叫7
内芙·坎贝尔,伊莎贝尔·梅,柯特妮·考克斯,梅森·古丁,贾思敏·萨沃伊·布朗,大卫·阿奎特,马修·里沃德,斯科特·弗利,塞莱斯特·奥康纳,阿萨·格尔曼,麦肯娜·格瑞丝,萨姆·雷希纳,米歇尔·兰道夫,吉米·塔特罗,安娜·坎普,乔尔·麦克哈尔,马克·康苏斯,伊桑·恩布里,维克托·特平,Scott Allen Frederick,艾米·彭伯顿,Josh Thrower,Cyle Winters,罗格·杰克逊华氏247
丝柯·泰勒-考普顿,克里斯蒂娜·乌洛亚,特拉维斯·范·文克,迈克尔·科彭,泰勒·梅恩,Rene Etore,托尼克·戈格里基亚尼,Jeremy Inabnit,Igor Lukin,Ibrahim Idowu,Michael Zaalishvili,Michael Andrew,Beso Natsvlishvili,George Dugashvili,Mamuka Mazavrishvili II惊魂绣花鞋
何乙轩,刘汉兆,辉灿,周昕妤,郭亚菲,郭玉英,贾明瑛昏神
迈克·C·曼宁,格里芬·弗里曼,瑞恩·平克斯顿,奥格斯·罗德,特里萨·纳瓦罗导演精选
霍去病：封狼居胥
本片为全流程AIGC打造的史诗古装历史影片，影片聚焦少年战神霍去病传奇一生，从少年从军、勇冠三军，到驰骋漠北、千里奔袭，一路横扫匈奴、破关斩将，演绎封狼居胥、禅于姑衍的千古封神壮举。少年傲气、家国情怀、沙场铁血、君臣知己、大漠豪情交织，再现大汉铁骑的锋芒与华夏少年将军的绝代风骨。
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
复仇之溪
20世纪30年代，战争的幽灵盘桓世界上空。纳粹相信妖术可以帮助他们迈向胜利，于是派出手下四处寻找便捷的“治世良方”。1936年，在美国西弗吉尼亚的一个偏僻乡村复仇溪，诚实善良的沃尔纳一家迎来一名不速之客。隶属于北美地区德国遗产学术委员会的理查德·沃斯博士（Michael Fassbender 饰）来到这里，借住在沃尔纳家。一家人虽然心有惴惴，不过看在钱的份上欣然接纳沃斯博士，并对其表现出诚挚的热情，却不曾想对方带来了难以置信的灾难。 2007年，警察伊万·马歇尔（Henry Cavill 饰）生活正陷入困境。他的哥哥维克多（Dominic Purcell 饰）一度消失。当他以为兄长已死时，维克多却突然出现，带着弟弟来到复仇溪。维克多究竟经历了怎样的磨难？这与30年代沃尔纳一家的遭遇又有什么关联？