善良的姐姐
男主跟初恋非常恩爱，然而初恋却要出国留学，二人就此分别，男主跟另一个女人在一起了，突然有一天，男主父亲宣布他要给男主介绍一下新的妻子，也就是男主的继母，然而这位继母竟然就是初恋的母亲，从此初恋和母亲住在了男主家中，男主想起了以前的往事，发现一直对初恋还有感情，在男主的现任女友得知之后，该怎样阻止二人复合....
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孤独监禁
大卫·奥伊罗,鲁奇娅·伯纳德,吉米·费尔斯,奥利维亚·华盛顿,托马斯·卡德罗特,亚历山大·索托,Naomi Simpson,瑞恩·马尔凯,Gerardo Barcala,凯特·盖多西克,Trell Isaac,Julie Nolin,Matthew Mylrea,Aiden Stoxx,Alexander Davis,Glenn Hoffmann,巴里·佩珀,Nigel Gentry,Gavin Turnbull,Yorkie JoaquinA man in solitary confinement for seven years comes out into a world of self-isolation.
大地1937
保罗·穆尼,路易丝·赖纳,沃尔特·康诺利,蒂莉·洛施,查利· 格雷普韦恩,杰茜·拉尔夫,杨秀,陆锡麒,罗兰·郭,Suzanna Kim,李清华,Harold Huber,奥拉夫·许滕,William Law,黄柳霜,安必立,Philson Ahn,Chester Gan,Betty Soo Hoo,James B. Leong,Bessie Loo,理查德·洛,Clarence Lung,阿瑟·马克斯,查尔斯·米德尔顿,Miki Morita,Layne Tom Jr.,甘岱棠,Sammee Tong,I改编自赛珍珠的普立兹奖小说，是好莱坞在三十年代开始注意东方题材的代表性作品。影片虽是描写中国农村夫妇的悲剧故事，但主角均由美国人扮演，导演悉尼．弗兰克林也采取西方古典电影的风格来处理，在制作上相当严谨认真。剧情描写保罗．茂尼与路易丝．莱娜本来是贫困的农民，面对饥荒的威胁甚至以烤土充饥。后来茂尼得到了一笔财富，竟整天花天酒地迷恋情妇，莱娜只有发挥贤妻的耐性期待丈夫浪子回头。今天看来类似故事已显得老套，但本片的拍摄与特技表现杰出，路易丝．莱娜亦获得奥斯卡最佳女主角奖。
好像一切都很糟糕
Melis Sevinç,Melisa Bostancıoğlu,İbrahim Arıcı,Mert Can SevimliAyşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
笔仙大战贞子
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