自宅警备员
『鈴木みら乃』に【ロクデナシニート】再始動!艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan究极的成人向同人软体团体「BEELZEBUB」与首次合作的作品，竟然回归了!!作品标题是……《自宅警备员》美型一家中的傲娇小胸次女「葛木由纪」成为本次目标!!如果那时、那地、做出那样的选择————本作是一部为了实现你的“如果……”所制作的续篇动画！
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剧情简介
『鈴木みら乃』に【ロクデナシニート】再始動!艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan究极的成人向同人软体团体「BEELZEBUB」与首次合作的作品，竟然回归了!!作品标题是……《自宅警备员》美型一家中的傲娇小胸次女「葛木由纪」成为本次目标!!如果那时、那地、做出那样的选择————本作是一部为了实现你的“如果……”所制作的续篇动画！
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维也纳战役
F·默里·亚伯拉罕,恩里克·洛维索,杰兹·斯科利莫夫斯基,艾丽卡·巴赫蕾达-库鲁斯,彼得·亚当奇克,Andrea Iaia,克莱尔·布鲁姆,Matteo Branciamore,Marius Chivu,安东尼奥·库普,乔治·卢帕诺,菲德莉卡·马丁内莉,詹尼·穆西,达尼尔·奥勒布里斯基,伊莎贝拉·奥尔西尼,波利斯·席克,约尔戈·沃亚吉斯,山内春彦,沃伊切赫·麦克瓦尔达斯基,白兰度·帕奇托,安吉丽卡·卡琪亚帕格莉亚,马达林·德拉甘,斯蒂芬·扬库,Edward Linde-Lubaszenko,Daniel致命塔罗
阿凡提卡·万达纳普,雅各布·巴特朗,欧文·弗热瑞,哈里特·斯莱特,亨伯利·冈萨雷斯,拉森·汤普森,阿丹·布拉德利,沃尔夫冈·诺沃格拉茨,斯塔萨·尼科利奇,詹姆斯·斯旺顿,艾伦·韦尔斯,桑西卡·米拉诺维奇,乔丝·卡特灵殇
奥古斯特·维特根斯坦,阿尔玛·特尔齐奇,Aleksandar Seksan,Ella Jazz,Sanin Milavic,Diana Fernández Pérez马路天使
珍妮·盖诺,查尔斯·法莱尔,娜塔莉·金斯顿,亨利·阿尔梅塔,圭多·特伦托,阿尔贝托·拉巴利亚蒂,路易斯·利格特,弥尔顿·迪克森平安夜，杀人夜
罗汉·坎贝尔,露比·莫迪恩,马克·艾奇逊,沙龙·巴杰,大卫·劳伦斯·布朗,埃里克·阿塔瓦尔,托米·雷梅尔,大卫·汤姆林森,伊莎·薇洛特,Rick Skene,Tom Young,马德琳·考克斯,Yan Joseph,Richard Patrick Tolton II,Lam An,Jasmine Wallace,弗雷德里克·艾伦,Logan Sawyer,Julien Neault-Lount,安德烈娅·格里宁年兽
陈创,姜彭,吕妍,於薇妮,杜星奇,刘霖,郑龙人气佳作
生人活祭
艾米·西米茨,凯特·林恩·希尔,乔·斯万博格,AJ·鲍恩,Kentucker Audley真情未语
Juan Karlos Labajo,JC·桑托斯,RK Bagatsing,Jaime García Herranz夏日躁动
Fanta Kebe,希雷尔·纳塔夫,艾蜜儿·班特,伊迪尔·阿祖格利,Yuming Hey,苏赞妮·德芭奎,Zakaria-Tayeb Lazab,Mouctar Diawara,Nicola Bulatovic,Mohamed Dramé,Yassine Mahavita,Aymane Mazit,Djibril Diamoye,Nour Lajiri,Fatoumata Koné,Lilya Jabelmeki,Mariam Diamoye,Cynthia Hounkpati,Zeinab Karam特雷弗·诺亚：苦中作乐
特雷弗·诺亚导演精选
泰勒·汤姆林森：浪女回头
泰勒·汤姆林森（Taylor Tomlinson）在她的第四部喜剧特辑《浪子回头的女儿》（Prodigal Daughter）中，以一个关于解构信仰、处理宗教创伤、探索性取向和面对死亡恐惧的紧张新时刻回到了她的根本。
女士优先
达米安（萨莎·拜伦·科恩饰）似乎拥有一切：金钱、权力，以及源源不断的艳遇。正当他准备晋升为一家顶尖广告公司的首席执行官时，一场噩梦让他的生活彻底颠覆：他醒来发现自己身处一个由女性主宰的平行世界。曾经叱咤风云的他，如今却发现自己处境艰难，不得不与强势无畏的艾莉克斯（裴淳华饰）正面交锋。规则改变，艾莉克斯如日中天，两人展开了一场大胆的较量。这部轻松诙谐、讽刺意味十足的喜剧讲述当性别角色被彻底颠覆时会发生什么。
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.