爱情导师2014

8.4 播放:49万 2026-05-28
主演: 申惠成/

《爱情导师》浪漫成人小说家梦的恋爱,。没有经验的作家志愿者耶的粉丝sean咖啡厅工作,抽空写文章。偶然自己的粉丝sean咖啡厅范本相贤见面,表示祝贺,尹相炫醉酒的途中,路过的行人和是非,相贤虽然手严重受伤。。保护自己的例子,但为了相贤受伤的打字原告小说开始清扫尽全力日为止。突然有一天,尹相炫古往今来的绝笔小说…艾旦影视

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养鬼吃人10:审判

希瑟·兰根坎普 , 兰迪·韦恩 , 约翰·古拉格 , 凯特·琼斯 , Rheagan Wallace , 亚历山德拉·哈里斯 , Paul T. Taylor , Mike J. Regan , Molly Nikki Anderson , Damon Carney , Helena Grace Donald , Mary Kathryn Bryant , Jay Dee , Grace Montie , Trey Walpole

  影片讲述3名警探在调查一起谋杀案时,却已悄悄落入钉子人的陷阱...       新任“钉子头”由《罪恶之城》男星保罗·T·泰勒饰演,影片将于2017年在美国上映。 据外媒报道,《猛鬼追魂》第10部影片《猛鬼追魂:审判》(Hellraiser:Judgment)首度曝光了造型照,令人闻风丧胆的“钉子头”现身,由《罪恶之城》男星保罗·T·泰勒饰演。 道 格·布拉德利 《猛鬼追魂》是最著名的系列恐怖电影之一,除惊人的血腥场景外,更借助肉体的痛苦达到灵魂的救赎,追求一种由魔入道的境界。…

密林深处

伊希尔·勒·贝斯柯,纳威尔·佩雷兹·毕斯卡亚特,马修·西莫內,Jérôme Kircher,Bernard Rouquette,Jean-Pierre Gos,Luc Palun,让-克劳德·古卢姆伯格,Jean-Marc Stehlé,Yvette Peyremorte

  故事发生在1865年的法国南部,流浪汉狄默提(纳威尔·佩雷兹·毕斯卡亚特 Nahuel Pérez Biscayart 饰)来到了这里,为了避人耳目,他假装自己是聋哑人,在这里的一座小村庄中住了下来。在村子里,狄默提邂逅了名为约瑟芬(伊希尔·勒·贝斯柯 Isild Le Besco 饰)的女子,美丽善良的约瑟芬一下子就吸引了狄默提的注意。  约瑟芬的父亲休斯(让-克劳德·古卢姆伯格 Jean-Claude Bolle-Reddat 饰)是一个热情好客的男人,他慷慨的邀请狄默提来家里做客,可休斯的善意却并没有得到狄默提的回报。狄默提用一种古老而又邪恶的方法催眠的约瑟芬,将她带进深山老林之中肆意凌辱。

导师2025

Sornram Aneklap,帕林亚·昂萨南,塔那万·霍查雷拉哈,尼措空·卡琼伯利叻,因托楚克·英拓楚克·倥拉玛苏皖,Sueangsuda Lawanprasert

在知名补习班里,流传着一个恐怖传言:只要在深夜走上被封锁的四楼,填写桌上的报名表,写下上榜的愿望,不论再困难的考试与科系,都能如愿考取。资优生贝儿与好友们前去试胆,愿望竟奇迹般一一成真,却伴随着接连不断的离奇死亡。肩负母亲对医学院的期待,贝儿也在名单上留下自己的名字,自此怪事频频缠身;姐姐精神逐渐崩溃,弟弟贝斯为救她挺身而出,决心以自己的名字改写命运。随着真相逐渐揭开,他们赫然发现四楼深埋的秘密,竟与一段骇人师生往事紧紧相连……当对考试的渴望仰赖超自然力量,而这种成功却要以生命为代价时,是毕业,还是毙命?他们能够在疯癫的教育体制内活下来吗?

等待方舟

耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

与王生活的男人

柳海真,朴志训,刘智泰,田美都,李浚赫,朴智焕,金旻

1457年的清泠浦,一场注定失败的守护,一段永被铭记的情谊。

木匠之子

尼古拉斯·凯奇,诺亚·尤佩,小枝女孩,伊斯拉·约翰斯顿,索海拉·雅各布,Penelope Markopoulou,Orestis Paliadelis,埃莉娜·托帕丽朵,马诺利斯·马诺里斯,Thekla Gaiti,Kaiti Manolidaki,Dimitris Louskos,Stavros Kottas,Zisis Papaioannou,Michalis Ioannou,Viktor Hristov,Odisseas Zikas,Gary Salomon,Lee Papadakis,Harila

  罗马帝国统治下的埃及,一个家庭为躲避追杀而隐秘生活。家中年轻的儿子(被称为“男孩”)开始对自己的监护人(被称为“木匠”)的身份和教诲产生深深的怀疑。  男孩体内沉睡着某种神秘而强大的超自然力量。随着他的成长与反叛,这股力量开始觉醒并失控。每当他动用一次能力,就会打破现实的脆弱平衡,招致更可怕的反噬——他们不仅要面对罗马士兵的世俗威胁,更要遭遇因亵渎神明而引发的、超越自然规律的恐怖现象:尼罗河水逆流、沙暴中浮现古老邪灵、瘟疫以超自然的方式蔓延……  这个家庭被迫在双重恐惧的夹缝中求生:一边是外部世界的追捕,另一边是来自男孩自身力量的、逐渐失控的神性(或魔性)灾难。