男界女界
这天阿浚如常地在酒吧内工作,失意的SAM独自来寻阿浚,SAM向阿浚表示自已刚刚失业而导致财政出现问题,希望阿浚能帮艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan。在这个不平常的夜晚,祂们遇上经常玩一夜情的YUKI,嗳情受创的JOYCE,开放贪玩的阿CAT,「估煲」不逐的MOON就在这晚众人都开怀大喝,在酒精的摧谷丅,众人均喝至大醉!籍着醉意把压在心底的心事都倾泻出来
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剧情提要
这天阿浚如常地在酒吧内工作,失意的SAM独自来寻阿浚,SAM向阿浚表示自已刚刚失业而导致财政出现问题,希望阿浚能帮艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan。在这个不平常的夜晚,祂们遇上经常玩一夜情的YUKI,嗳情受创的JOYCE,开放贪玩的阿CAT,「估煲」不逐的MOON就在这晚众人都开怀大喝,在酒精的摧谷丅,众人均喝至大醉!籍着醉意把压在心底的心事都倾泻出来
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一线希望
扎克瑞·莱维,乔什·杜哈明,昆汀·普莱尔,泰伦斯·特雷尔,马歇尔·库克,乔贝兹·威廉姆斯,弗罗瑞安娜·利马,杰西卡·布莱克莫尔,普里亚·贾恩,詹姆斯·马丁·凯利,施特菲·塔凯,Armida Lopez,里森·亚历山大,Chris Dingli,Davina Reeves,Edward De Gaetano,Tucker Sparkman,杰·佩斯,George C. Owens死人开关
比尔·斯卡斯加德,戴克·蒙哥马利,阿尔·帕西诺,加利·艾尔维斯,科尔曼·多明戈,米哈拉·赫罗德,约翰·罗宾森,乔丹·克莱尔·罗宾斯,肖恩·麦克布莱德,John N. Dixon,Casey Feigh,Eric Severs,斯蒂芬妮·伯托尼,Andy S. Allen,Neil Mulac,Katie Kinman,Todd Gable,Don Overstreet,Mark Helms,Kevin Ragsdale母鸡2025
雅尼斯·科基亚斯梅诺斯,玛丽亚·迪亚科帕纳约图,阿吉里斯·潘达扎拉斯,马赫穆特·巴梅尔尼,克罗尼斯·巴巴里安,安东尼斯‧卡非祖罗普斯,尼克斯·凯提斯,迪米特里斯·佩雷吉斯,安东尼斯·齐奥齐奥普洛斯暴雨屋
Grant Masters,Patrick Flynn,Grahame Fox弗兰肯斯坦的新娘
Sev Philippou,Nick Launchbury,Vincent Donato村民总动员
阿图尔·巴奇斯,Angelika Cegielska-Swiatek,菲利普·古拉克斯,Mateusz Janicki,Piotr Pregowski,Anna Seniuk,安娜·希曼奇克,乔安娜·特兹佩西丝卡,Cezary Zak,维克多·兹波罗夫斯基细骨小屋
赛迪·斯欧维奥,乔莉·理查德森,尼尔·林波同系列推荐
边境交易
Abylai MARAT,Omurbek IZRAILOV,Meerim ATANTAEVA,Begaiym ASANAKUNOVA,Akylbek MURATALIEV,Jenishbek SMANOV,Atai OMURBEKOV快乐猎杀
Martin Dingle Wall,Ken Lally,C.J. Baker,Gary Sturm潜舰情缘
何塞·加西亚,皮奥·马麦,伊尔·哈达拉禅武门
张玲,郑少秋,田丰,王侠哈佛少女的快乐清单
蓓尔·波利,内森·连恩,加布里埃尔·伯恩,瓦妮莎·贝尔,科林·奥多霍诺,杰森·雷特,威廉·莫斯里,戴斯敏·博格斯,普娜·贾甘纳坦,扎卡里·因凡特,安迪·布斯蒂罗斯,玛哈蕾·赫沙姆,乔尔·迈克利,斯科特·启治·武田,科妮莉亚·格斯特步履不停
阿部宽,夏川结衣,江原由希子,高桥和也,田中祥平,野本萤,林凌雅,寺岛进,加藤治子,树木希林,原田芳雄幕后花絮
大怪兽巴朗
科学万能の現代、だが未だ地球上には解明できぬ謎が残されている……。東北地方に、婆羅陀魏山神という神をまつる村があった。訪れた調査隊はそこで生ける神・バラダキを目撃する。それは湖に棲息する中生代の恐竜・バランであった。急遽出動した自衛隊の攻撃を逃れ、バランは空へと舞い上がる。やがて姿を現したバランは、浦賀水道から東京上陸を狙う。36ミリ機関砲さえ跳ね返すバランに対し、自衛隊はダイナマイトの20倍もの威力を誇る特殊火薬をもって対抗するが……。ミニチュアワークは相変わらず冴えているが、“未知の謎”を主題にしているわりにはストーリーが平板。冒頭からバランの全身を出し、その破壊力の描写に終始している感がある。資料によっては「東洋の怪物」のサブタイトルも見受けられるが、フィルム・クレジット上には存在しない。
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.