浪女47:桃色忠臣藏
藏子（空海花 饰）和玲子（水谷葵 饰）以及美树（蓝色梨梨花 饰），三人不但是高中时代舞蹈社团的前后辈，同时也一起在浅野经营的播州赤穗物产公司上艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan。而在公司负责清洁工作的叶子，也是三人的学姊。她们四人到现在还跟学生时期一样，没放弃对舞蹈的热爱持续跳舞。某日，吉良综合商社的社长吉良突然带着女保镳上门，吉良是浅野的大客户，如果少了吉良公司甚至会面临倒闭的危机，因此浅野总是在吉良的面前抬不起头来。吉良将玲子叫到房间去，要求她担任自己的秘书，还企图对她上下其手……这四名女子要如何解决公司所面临的危机呢？
剧情简介
藏子（空海花 饰）和玲子（水谷葵 饰）以及美树（蓝色梨梨花 饰），三人不但是高中时代舞蹈社团的前后辈，同时也一起在浅野经营的播州赤穗物产公司上艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan。而在公司负责清洁工作的叶子，也是三人的学姊。她们四人到现在还跟学生时期一样，没放弃对舞蹈的热爱持续跳舞。某日，吉良综合商社的社长吉良突然带着女保镳上门，吉良是浅野的大客户，如果少了吉良公司甚至会面临倒闭的危机，因此浅野总是在吉良的面前抬不起头来。吉良将玲子叫到房间去，要求她担任自己的秘书，还企图对她上下其手……这四名女子要如何解决公司所面临的危机呢？
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鬼裂面
Usamanee Waitayanon,Nathanon Narathanyawirun,Tong Archariya SrithaMay 是一名年轻的建筑师，她刚刚和男朋友 Gun 搬进了郊区的新家，就收到了继母 Po 的死讯。只有 Po 的女儿 Noon 作证说有人杀害了她的母亲，但是似乎没有任何明显的证据。当 May 决定在家照顾 Noon 时，Noon 出现了异常症状，就像被鬼附身一样。而 May 自己则因生病而开始无法入睡。Gun 于是请 Chok、Sak 和 Master Khom 来帮忙。Master Khom 立刻意识到她的房子里有过去的“黑魔法”，他要求所有人找出这种邪恶的根源。过去与大师的面部皮肤有关的不幸事件被同一门派的另一位弟子 Jong Master 移除，这就是所有这些恐怖故事的根源。
我能有个见证人吗
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出卖她的肉体
弗里达法瑞尔,加布里埃尔·奥尔德斯,马修·马斯登Selling Isobel, a thriller based on true events, featuring the real victim in true life playing the main charter. It's about a woman who got locked in, drugged, held against her will and sold to numerous men for 3 days in an apartment in central London. It's a film about her fight for survival all the way to the gruesome end.
凯歌香槟
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异羽之鸟
贾亚士里,Mahadev Hadapad,Rekha Kudligi马诺哈拉·K在13岁时就凭借在影片《铁路少年》中的出色表演荣获印度国家电影奖最佳儿童演员奖。如今，二十出头的马诺哈拉初执导筒，将女作家索尼娅·S的获奖自传小说搬上银幕，讲述了一个白化病女孩的成长之路。片中，来自贫困家庭的索尼娅因为白化病在学校受到歧视和敌意，父亲置若罔闻、母亲有心但无力，她只能依靠自己。导演并没有向索尼娅投去同情目光，而是带着一定距离感去呈现她的处境，成功塑造了一个勇敢、乐天的女孩如何接纳自己并让白化病这个“缺点”成为特点。
好像一切都很糟糕
Melis Sevinç,Melisa Bostancıoğlu,İbrahim Arıcı,Mert Can SevimliAyşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
旅行者的需求
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