薄化妆

★ 9.5 播放:92万 更新:2026-05-27
主演: 五社英雄/

古田求编剧的这部凶杀影片,以令人发指的剧情描述了主人公的丧尽天良,看来令人不寒而栗,也让人对生命的意义有所思索。故事背景自1948年一宗矿坑坍塌展开,矿工坂根代表20名死者家属与老板谈判赔偿,可是却昧着良心收受一大笔贿赂而发财。他垂涎一位矿工的遗孀照子,并把知悉情况的妻子杀死埋于地下,还假称妻子与人私奔失踪。他把照子带回家中,因儿子极力反对,又以带儿子找妈妈为名,把儿子骗到山上杀死。当照子生病住院后,坂根又和一个向他借债的妇人发生关系,并欲霸占她18岁的女儿弘子为妻,遭到拒绝后丧尽天良的他又火烧其家……后坂根以谋杀罪入狱,1952年掘地道越狱逃亡…国外三级

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剧情简介

古田求编剧的这部凶杀影片,以令人发指的剧情描述了主人公的丧尽天良,看来令人不寒而栗,也让人对生命的意义有所思索。故事背景自1948年一宗矿坑坍塌展开,矿工坂根代表20名死者家属与老板谈判赔偿,可是却昧着良心收受一大笔贿赂而发财。他垂涎一位矿工的遗孀照子,并把知悉情况的妻子杀死埋于地下,还假称妻子与人私奔失踪。他把照子带回家中,因儿子极力反对,又以带儿子找妈妈为名,把儿子骗到山上杀死。当照子生病住院后,坂根又和一个向他借债的妇人发生关系,并欲霸占她18岁的女儿弘子为妻,遭到拒绝后丧尽天良的他又火烧其家……后坂根以谋杀罪入狱,1952年掘地道越狱逃亡…国外三级

导演精选

雏菊2006

 阿姆斯特丹,两个男人爱上了同一个女人,注定了一段纠缠的故事。惠瑛(全智贤饰)是画家,每天到广场帮路人画肖像,而像她一样风雨不改的,还有某人送来的一盘雏菊。每天雏菊总是准时送到,让她心里悸动而好奇。一天,匆匆而过的正佑(李成宰 饰)遇上了画家。他本是国际警察,来这个城市追捕杀手,然而却迷上了温婉动人的惠瑛,他让惠瑛帮他描肖像,他们的爱情在萌发盛开。这些情景,送花人看在眼里,痛在心里。他的身份注定了他必须给正佑让出位置,对惠瑛默默付出。因为,他就是正佑所寻找的杀手朴义(郑宇成 饰)。但是,强烈的爱终究让他不再躲在暗处,他决心争取幸福。二人在法律上,感情上的鲜明对立,注定了不能完满的结局,鲜血在惠瑛描有雏菊的花布上蔓延开来……

变异双头蛇

林宇与三名女孩遭遇空难,不幸流落至一座荒无人烟的孤岛,刚上岸便遭遇一头凶猛的变异双头蛇袭击。危急时刻,容貌靓丽、身手矫健的当地女土著颂雅及时出现,凭借对岛屿环境的熟悉,成功引开双头蛇,将四人救至一处隐蔽山洞。在艰难的孤岛求生中,林宇作为唯一的男性主动守护众人,朝夕相处间,他与四名女孩渐生情愫,陷入了两难的感情纠葛。好景不长,思瑶惨遭双头蛇伏击吞噬,若琳也不幸遇害。悲痛之下,林宇、婉晴与颂雅联手,借助颂雅祖辈流传的经验,摸清毒蛇怕强光和特定植物汁液的弱点,巧用简易工具设下陷阱,最终成功消灭双头蛇,林宇也找到情感的归宿。

公寓2024

  Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present.  Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.