剧情简介
新冠病毒大流行期间，菲律宾施行封城政策前夕，一对夫妇想赶在封城之前，实施他们布局已久的3P计划，沉浸在肉体欢愉中的人妻，殊不知已被另一群色欲熏心的男人盯上..艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan
为你推荐
米奇船大屠杀
Natasha Tosini,Shayli Reagan,Lauren Leppard一名正在与毒瘾作斗争的年轻女子突然开始看到一种变异的老鼠与人类的杂交体，这种杂交体侵扰了她的生活。她周围的人开始可怕地死去…
真正的痛苦
杰西·艾森伯格,基南·卡尔金,福田知盛,詹妮弗·格雷,库尔特·埃贾万,丽莎·萨多威,丹尼尔·奥雷斯克斯,埃洛拉·托尔基亚,班纳·艾森伯格,彼得·查赫尼埃基,雅各布·贡索夫斯基,奥尔哈·博索瓦,克日什托夫·雅什查克,马雷克·卡斯普日克,雅各布·普鲁斯基为纪念逝世的奶奶，许久未见的堂兄弟大卫与班吉相约前往波兰参加导览团，也顺道探访奶奶的老家。一路上，班吉有话直说、率性风趣的性格迅速与同团人士拉近距离，令木讷拘谨的大卫既焦虑又羡慕，压抑已久的情绪日益沸腾。然而，随着旅途种种安排不断挑动班吉的敏感神经，他的狂放不羁似乎逐渐走向失序，大卫试图息事宁人，但内心的不安却席卷而来。这趟寻根之旅，能否解决彼此心底难以言说的痛楚？
星河战队3：掠夺者
卡斯帕·范·迪恩,乔琳纳·布拉洛克,斯蒂芬·霍根,波瑞斯·科乔,阿曼达·多诺休,玛内特·帕特森,斯特里奥·萨万特,坦娅·范·格拉恩,Antonio Summerton,Nicole Salandra,柯基·法尔考,史蒂芬·詹宁斯,Rob Vega,格兰特·斯旺比,Damon Berry,乔·瓦兹,卡尔·桑宁,蒂龙·基奥,凯文·奥托,劳伦·麦格雷,Tarryn Page,邦戈·姆布图马,科里·伯顿,凯瑟琳·奥克森伯格一晃十年过去，地球人和虫族的战争如火如荼，愈演愈烈。某日，空军元帅奥玛•阿诺克（斯蒂芬•霍根 Stephen Hogan 饰）来地球人的远方农场罗库山视察，时任上校的强尼•瑞克（加斯帕•范•迪恩 Casper Van Dien 饰）也一同前来。在此期间，阿诺克的心智被虫王操控，他切断了隔离区的电力，使基地完全失去保护。是夜，虫族对隔离区发动总攻，地球军虽顽强抵抗，终因寡不敌众而告败，基地陷落。阿诺克则和一干心腹逃离，飞船迫降在OM-1行星。 瑞克因失职被军事法庭判处绞刑，行刑之际被政府秘密部门救下。阿诺克知晓联邦舰队基地所在地的秘密，一旦被虫族得知将不堪设想。因此政府高层要求瑞克带上一队人马，前去营救受困的阿诺克……
吞噬星空剧场版决战原始星
罗峰在原始星历练期间，面对异族的觊觎和围剿，丝毫不慌乱，利用自己的智慧和实力反杀对方，维护了人族尊严。“我有一刀，可斩宇宙！”那柄有着震撼人心的美丽战刀，伴随着罗峰一路斩杀！妖族、机械族与虫族再次出现，组成三族联盟，三族首领联合6000名宇宙尊者围剿罗峰，罗峰施展“我为宇宙”的强大威力，将其一举歼灭。
猎杀星期一
劳米·拉佩斯,格伦·克洛斯,威廉·达福,马尔万·肯扎里,克里斯蒂安·鲁贝克,帕尔·斯维尔·哈根,托米瓦·埃敦,凯西·克莱尔,卡梅伦·杰克,柯尔斯蒂·阿弗顿,维加·霍尔,马达林·德拉甘,斯蒂格·弗洛德·亨里克森,亚历山大·阮,拉腊·德坎罗,玛丽·埃弗雷特,桑地亚哥·卡布瑞拉故事设定在近未来，由于人口过剩和饥荒，政府不得不实行“独生子女”政策。正因为这个严格的计划生育议程，姐妹们必须轮流使用一个人的身份Karen Settman(拉佩斯饰)。她们的祖父(达福饰)给其命名为周一、周二、周三、周四、周五、周六和周日。每个人都可以每周外出一次。姐妹们只有在自己的公寓里才可以自在生活。直到有一天，“星期一”没回家......
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
猛虎末路
劳伦斯·鲁波,大卫·舒特,塞巴斯蒂安·乌泽多夫斯基,安德烈·赫尼克,阿尔恩特·施韦林·索瑞,伦纳德·昆兹,Tilman Strauss,Yoran Leicher一辆德国虎式坦克的五名车组成员被派往战火纷飞的前线后方执行一项秘密任务。在德军亢奋药物的刺激下，他们的任务逐渐变成了一场深入黑暗之心的旅程。