风/可疑的年轻少妇们

★ 4.8 播放:12万 更新:2026-05-26
主演: 未知/

结婚第二年,炳进在下班回家的路上遭遇交通事故,身体受了重伤,被诊断下半身瘫艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan。炳镇的妻子小贞在丈夫受伤后,同时经历了经济上的困难和孤独,但她不敢对丈夫说出自己的隐情。随着时间的推移,小贞通过公公来排解孤独,但经济方面的问题却无法得到解决。偶然遇见了多年的朋友尚奎,得知尚奎在放高利贷,便开始向尚奎借钱....

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剧情简介

结婚第二年,炳进在下班回家的路上遭遇交通事故,身体受了重伤,被诊断下半身瘫艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan。炳镇的妻子小贞在丈夫受伤后,同时经历了经济上的困难和孤独,但她不敢对丈夫说出自己的隐情。随着时间的推移,小贞通过公公来排解孤独,但经济方面的问题却无法得到解决。偶然遇见了多年的朋友尚奎,得知尚奎在放高利贷,便开始向尚奎借钱....

导演精选

驱魔

  律师艾琳(劳拉·琳妮 Laura Linney 饰)接到一桩官司。一名神父由于用宗教手段——驱魔仪式来治疗女孩艾米莉的重病,因而使得艾米莉耽误了正确的药物治疗时间。法庭上,一场宗教与科学之争展开了。  事件的开端,源于19岁女大学生艾米莉(珍妮弗·卡彭特Jennifer Carpenter饰)的恐怖遭遇。她在大学宿舍睡觉时,感觉有灵异恶魔来侵,接下来更为惊悚的事情陆续发生。艾米莉一反常态,她变得双眼发黑,行为怪异,整日活在犹豫恶魔缠身的梦魇中,艾米莉无法控制自己的意志,痛苦得生不如死。家人为她找来精神病医生,却毫无起色。无奈下,请来神父(汤姆·威尔金森 Tom Wilkinson 饰)一探究竟,才得知艾米莉被远古六恶魔上了身。万魔缠身的她,只有通过宗教仪式进行驱魔,才有可能逃出生天。  神父的驱魔并没有挽救艾米莉,还引来了控告。无神论者却认为,恶魔缠身是无稽之谈。

提前的葬礼

由于他们的父亲处于昏迷状态,护士Seon-young敦促她的兄弟Il-hoe举办一场假葬礼,因为他负担不起儿子的学费,有可能看到他错过大学。他们伪造死亡证明并欺骗医院,但随着压力的增加,他们的计划开始以意想不到的方式瓦解。

好像一切都很糟糕

Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night.   However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements.   Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires.   源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster