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平采娜·乐维瑟派布恩,塔纳波·里拉塔纳卡邹,西瓦功·阿达苏提坤死星
Yoon C. Joyce,Diandra Elettra Moscogiuri,Margherita Scotti,Olga Egorova,Ivan King,Gloria Capelli,Maria Arismendi,Giorgio Consoli,Noemi Marotta,Francesco Tinelli皇家酒店谋杀案
杰夫·布里吉斯,辛西娅·艾莉佛,达科塔·约翰逊,乔恩·哈姆,克里斯·海姆斯沃斯,卡莉·史派妮,刘易斯·普尔曼,尼克·奥弗曼,泽维尔·多兰,谢伊·惠格姆,马克·奥布莱恩,查尔斯·哈尔福德,吉姆·奥希尔,瑞贝卡·图兰,比利·威克曼,威廉·B·戴维斯,曼尼·贾希尼托,乔纳森·怀特赛尔,凯瑟琳·伊莎贝尔,萨拉·史密斯双瞳
梁家辉,刘若英,戴立忍,大卫·摩斯,杨贵媚,林涵,郎雄大怪兽加美拉
船越英二,北原义郎,浜村淳,大山健二,吉田义夫,左卜全,村田扶实子,大叶健二同类精选
夺魂医生
Andrew Prine,Jason London,Carlos Lauchu那一晚，我知道你做了什么
王婷,王昭,张喜来,李小胖,袁琳兰,李星辰笔仙2004
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李忠秀,具智成,韩素英索命哨
达芙妮·基恩,苏菲·奈丽丝,珀西·海恩斯·怀特,尼克·弗罗斯特,艾丽·斯考比,杨子英,斯蒂芬·卡林,米卡·阿蒙森,迈克尔·科拉斯,贾纳娅·斯蒂芬斯,兰内特·瓦雷,特洛伊·詹姆斯,贾利勒·斯瓦比,蒋如思,朱莉娅·迪扬,Cameron Gordon Norris,Toria Summerville,Louis Adams,梅努卡·萨瓦尔,克里斯蒂娜·萨赫利暗金丑岛君：完结篇
山田孝之,绫野刚,永山绚斗,真飞圣,间宫祥太朗,海,最上摩卡,真野惠里菜,仲野太贺,狩野见恭兵,凑莉久,天使萌,槙田雄司,玉城蒂娜,六角精儿,茂吕师冈,安藤政信,八岛智人,高桥玛莉润,崎本大海,矢部享佑影视排行
鬼滴语3
纳得克·库吉米亚,兰达娜瓦迪·望同,洁莉尔查·卡本,卡杰布泓迪缇特·珈迪,佩拉克里特·帕查拉布纳亚基特在那场悲剧发生25年后，一个年轻的少年发现了属于他祖父的神秘盒子……
圣传
伊倉一寿,速水奖,山口胜平,榊原良子Prophecy says that six warriors will end a brutal tyrant's rule. Swords clash as the battle between good and evil explodes!
13个日夜
罗什迪·泽姆,琳娜·库德里,西瑟·巴比特·科努德森,克里斯托弗·蒙特内兹,伊安·蒂阿尔,法蒂玛·埃多姆,肖艾布·赛义德,赛义德·哈希米,本杰明·希克戈尔,西纳·帕瓦内赫,路易吉·克勒纳,尼可拉斯·布里代,雅典娜·史催特,埃纳尔·哈拉尔松,埃文特·斯特朗,汗·布尔汗,奥马尔·达纳亚,让·克洛德·穆阿卡在塔利班接管喀布尔期间，阿富汗军队守卫着法国大使馆。他们肩负着在混乱中疏散500人至机场的任务，在试图绝望逃离这座正在沦陷的城市时，面临着巨大的风险。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.