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欧美美女在家练钢琴太热了脱掉散散热
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新狂蟒之灾
保罗·路德,杰克·布莱克,史蒂夫·扎恩,坦迪·牛顿,艾斯·库珀,丹妮拉·曼希沃,艾农·斯凯,本·劳森,赛尔顿·梅罗,Renee Herbert,娅丝明·卡西姆,Aimee Bah,塞巴斯蒂安·瑟罗,Jack Waters,Diego Arnary,Cal Rein,Matt Aristizabal,胡依·西卡多·吉亚斯,Romeo Ellard,Reagan George男孩、鼹鼠、狐狸和马
汤姆·霍兰德尔,伊德瑞斯·艾尔巴,加布里埃尔·伯恩,裘德·科沃德·尼科尔离婚怨曲
梅根·古德,科里·哈德里克,约瑟夫·李·安德森,泰勒·波利多雷,Shannon Wallace,理查德·劳森,黛比·摩根,Mark Elliott Brewer,Sarah Girma,Adam Jerome Sperandio,乔·科马拉,Ursula O. Robinson,Rakeem Laws,Berry Williams Jr.,Jeffrey Creightney,Delandrian Lamar Aikens,Jason McGee,Anthonique Page,Anthony Johns养鬼吃人6:死亡代码
迪恩·文特斯,Ashley Laurence,Doug Bradley终归为尘
安吉拉·莫利纳,阿尔佛莱德·卡斯特罗,莫妮卡·阿尔米拉尔,Patrícia Bargalló,Alván Prado,Manuela Biedermann,Emma Corbacho,Pol Garibaldi Gris,Nicolás Fuentes,Vito Pietroburgo,Irene Ta,Valeria Scheilen,Aleix Plademunt,Lissy Pernthaler,Silvan Luley,Lorena Nogal,Shay Partush,Oriol Genís,M另一个地球
威廉·麦鲍瑟,布里特·马灵,马修-李·埃尔巴赫,DJ Flava,Meggan Lennon,AJ Diana,Bruce Colbert,Paul Mezey,Ana Valle,Jeffrey Goldenberg,Joseph A. Bove,Jordan Baker,Flint Beverage,Robin Taylor,鲁伯特·雷德人气佳作
交响诗篇超进化2
谍影行动
加里·奥德曼,科林·费尔斯,汤姆·哈迪,约翰·赫特,托比·琼斯,马克·斯特朗,本尼迪克特·康伯巴奇,塞伦·希德,大卫·丹席克午夜的柳枝
梅根·福克斯,机关枪凯利,埃米尔·赫斯基,布鲁斯·威利斯,卢卡斯·哈斯,凯特琳·卡迈克尔,奥利弗·伊莉丝·阿伯克隆比,丽迪雅·赫尔,杰基·克鲁兹,泰勒·乔恩·奥尔森,斯温·特梅尔,希斯蒂妮·史泰龙,迈克尔·比奇,多诺万·W·卡特,奥马尔·克鲁兹·索托,大卫·希尔,让·皮埃尔·普拉茨,小戴维·M·桑多瓦尔,Jason Trawick,Welker White,Alec Monopoly,Sergio Rizzuto,Nick Koskoff,Katalina Viteri凶兆1976
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乐救武林
天生爱唱歌的方湛(刘以达 饰)去拜访旧友的武馆,怎料他们的传承人俩兄弟竟然搞得一团糟。众人的颇具野心的小师妹辛芷诺(卫诗雅 饰)趁机开设了一间不走正道的健身房,企图取而代之,夺走当今武林的话事权。众人不甘堕落,齐心合力,靠着音乐的力量,最终让差点堕入邪道的小师妹成功回心转意。
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
边境战争2
1971年印巴战争期间,年轻的印度战士准备保护自己的家园免受更大的威胁。