法拉维亚修女受难记
艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan一名不甘受束缚的修女法拉维亚为了追求自由及男人与女人的平等而逃离修道院，突如其来的战争使她获得了爱情和权利，法拉维亚为此也付出了沉重的代价……
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加美拉对深海怪兽吉古拉
坂上也寸志,グロリア・ゾーナ,坪内ミキ子,藤山浩二,佐伯勇,笠原玲子,吉田義夫,八並映子,アーリン・ゾーナ,夏木章,三夏伸,九段吾郎,井上大吾,喜多大八,中原健吊人游戏
阿尔·帕西诺,布兰特妮·斯诺,莎拉·夏希,卡尔·厄本,乔·安德森,杰梅因·里弗斯,谢勒·拉莫斯,迈克尔·帕帕约翰,斯蒂芬·考特尔,欧德莎·雷,朱尔斯·黑文,薇薇安娜·查维斯,马特·默丘里奥,迈克尔·罗斯,德韦恩·博伊德,斯洛恩·沃伦,乔恩·亚瑟留存的爱
莎加·加达斯多蒂尔,斯瓦利尔·古德纳松,伊达·梅金·赫林斯多蒂尔,英格瓦·埃盖特·西古德松,安德斯·莫索林,卡特拉·M·索尔盖尔斯多蒂尔,哈德尔多尔·拉克斯内斯·哈德尔多尔松,克里斯廷·古德蒙德松,格里穆·赫利尼森,索吉尔斯·赫林松超级黑暗时代
欧文·坎贝尔,查理·塔汉,伊丽莎白·卡布奇诺,马克斯·塔利斯曼,索耶·巴斯,艾米·哈格里夫斯,安德亚·雷诺克斯,Ethan Botwick,Philip H. Ashley,Justin Rose,Kortnee Rumph,Samantha Jones,Anni Krueger,Jeffrey Alan Solomon,Carl Arcilesi如何大赚一笔
格伦·鲍威尔,玛格丽特·库里,杰西卡·亨维克,比尔·坎普,扎克·伍兹,托弗·格雷斯,艾德·哈里斯,詹姆斯·弗兰切威勒,拉夫·洛,史蒂夫·马克,露露·泰勒,安德烈·雅各布斯,Maggie Toomey,肖恩·卡梅伦·迈克尔,内尔·威廉姆斯,乔·瓦兹,马丁·门罗,比安卡·阿玛托,罗伯特·霍布斯,伊桑·桑德斯断魂小丑3
杰森·帕特里克,丹尼尔·洛巴克,大卫·霍华德·桑顿,劳伦·拉维拉,拜斯·约翰逊,布拉德利·斯泰克尔,克里斯·杰里科,萨曼莎·斯卡菲迪,玛格丽特·安妮·佛罗伦斯,埃利奥特·富勒姆,亚历克萨·布莱尔·罗伯逊,Antonella Rose,克里斯·福克斯,夏洛特·麦基,西耶娜·休伯特-罗斯,奇普·卡里尔,卢西亚娜·凡德特,Annie Lederman,Kellen Raffaelo,安妮·莱德曼同类推荐
体制2026
索娜什·辛哈,Jyotika,阿素托史·哥瓦力克特权检察官Neha Rajvansh和卑微的速记员Sarika Rawat的生活在一个权力塑造真理的体系中发生了冲突，迫使他们质疑正义的意义。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
阴阳镜
淮文,邓靖弘 Jinghong Deng,江莱,张跃滨,曾广泉,司珂华,肖沅希,王军,李荣博宋真宗晚年，青春年少的包拯和好友公孙策，一同破获一起尘封多年冤案。女主角月亮十多年前，全家被奸人所害，为了翻案，打听到传闻中阴阳镜能断是非真假，于是去墓地盗取，结果触碰机关导致展昭被困，为了将其解救，必须破解地穴里的各种机关算术。一筹莫展的月亮刚好遇到聪慧过人的包拯，巧设伎俩利用鬼怪传说，想引包拯去地穴救展昭。但包拯心中秉持正义、公平，从不相信鬼怪传说，救出展昭后，月亮拿到阴阳镜后，坦白自己一家遭奸人所害的事实，凶手还在逍遥法外。为了翻案包拯，利用阴阳镜的传说，使得案件重演，凶手心绪恐惧坦白从宽，认罪伏法。从此，年少的包拯一举成名，所代表的公平、公正和正义的形象，慢慢被民众熟知，被民众所拥戴。
苍蝇之母
约翰·亚当斯,露露·亚当斯,泽尔达·亚当斯,托碧·波塞尔When a young woman faces a deadly diagnosis, she seeks dark magic from a witch in the woods... but every cure has costs.
十二个想死的孩子
杉咲花,新田真剑佑,北村匠海,高杉真宙,黑岛结菜,桥本环奈,吉川爱,萩原利久,渕野右登,坂东龙汰,古川琴音,竹内爱纱當活着比死更需勇氣，十二個少年來到荒廢醫院，進行本以為是12 比0 的投票，通過後便可集體自殺，卻發現房間多了一具屍體，必須找出兇手和企圖破壞契約的潛入者。劇情以新本格派推理展開，同時進行「十二怒漢」式針鋒相對。原來再厭世，內心極渴望別人聆聽自己故事。每一個都可疑，每一個都隨時被說服，結局示範最令人心悅誠服的反轉。《20 世紀少年》（2008-09）、《愛的成人式》（2015）導演堤幸彥巧妙觸碰少年自殺的禁忌，像補完計劃般置諸死地，在絕望深淵，一次擁抱可拯救一個靈魂。