挑情

1.3 播放:30万 2026-06-01
主演: 李泰亨/

阿财(万梓良 饰)和阿细(吴少刚 饰)是一对好友,两人相识于微时,彼此之间的感情非常的要好。阿财就像他的名字一样,是一个贪财好色又不学无术的男人,阿细和他恰恰相反,踏实肯干的他早在大陆娶了老婆有了家庭,但由于现实的原因,阿细和妻子分隔两地,聚少离多。因为毫无节制的生活,阿财最终病痛缠身。在阿细的建议之下,阿财来到了泰国,并在那里成功的找到了老婆带回香港。就这样,阿财和老婆开始了日日夜夜没羞没躁的生活,这一切被寂寞难耐的阿细统统看在眼中,而阿财的老婆仿佛知道阿细在偷窥一般,总是表现出自己最热烈的一面艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan

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政坛新星

艾玛·麦基,杰米·李·柯蒂斯,伍迪·哈里森,阿尤·艾德维利,杰克·劳登,库梅尔·南贾尼,艾伯特·布鲁克斯,丽贝卡·豪尔,朱莉·卡夫娜,贝琦·安·贝克,斯派克·费恩,茜多·塞丝,Amelie McKendry,阿德里安·M·蒙波因特,乔伊·布鲁克斯,埃里卡·麦克德莫特,肖恩·菲茨吉本,Kellen Raffaelo,Carrie Adams,Michael Steven Costello

  34岁的年轻女子Ella McCay(艾玛·麦基 Emma Mackey 饰)当上了州长,需要努力平衡政坛职责和家庭生活。

断魂小丑3

杰森·帕特里克,丹尼尔·洛巴克,大卫·霍华德·桑顿,劳伦·拉维拉,拜斯·约翰逊,布拉德利·斯泰克尔,克里斯·杰里科,萨曼莎·斯卡菲迪,玛格丽特·安妮·佛罗伦斯,埃利奥特·富勒姆,亚历克萨·布莱尔·罗伯逊,Antonella Rose,克里斯·福克斯,夏洛特·麦基,西耶娜·休伯特-罗斯,奇普·卡里尔,卢西亚娜·凡德特,Annie Lederman,Kellen Raffaelo,安妮·莱德曼

  在经历了小丑阿特的万圣节大屠杀后,西耶娜和她的兄弟正在努力重建他们破碎的生活。随着节日的临近,他们试图拥抱圣诞精神,把过去的恐怖抛在脑后。但就在他们以为自己安全的时候,小丑阿特回来了,决心把他们的节日欢乐变成一场新的噩梦。随着阿特释放出他扭曲的恐怖,节日很快就结束了,证明没有一个节日是安全的。

失控2018

李·佩斯,杰森·苏戴奇斯,朱迪·格雷尔,寇瑞·斯托尔,艾琳·莫里亚蒂,贾斯汀·巴萨,迈克尔·库立兹,塔拉·萨莫斯,伊多·戈德堡,冈本玉二,阿瑟·迈尔斯·法里卡,艾梅柏·里维拉,布赖恩·泰斯特,杰弗里·霍尔斯曼,奥马尔·克鲁兹·索托,Isabel Arraiza,Tyler Crumley,路易斯·O·罗萨多

  李·佩斯出演美国传奇汽车公司德劳瑞恩的创始人——天才汽车设计师约翰·德劳瑞恩,影片设定在1980年代,德劳瑞恩创建还没几年,正在崛起,聚焦约翰和苏戴奇斯饰演的Jim Hoffman的关系。Hoffman看似有趣迷人,其实他是一名前诈骗犯,现在为FBI工作,他来约翰这里当卧底,想要控告其贩毒。两人建立的一段有趣的bromance也很快急转直下,行差踏错。

等待方舟

耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

爱情背叛

莎拉·鲍尔,安德鲁·富尔茨,马克·赫尔曼

一场车祸夺走了莱利的生命,她近乎完美的生活突然中断,留下一个没有母亲的家庭。随着调查的开始,莱利的妹妹凯莉发现这场车祸可能不是她妹妹死亡的真正原因,案件发生了奇怪的转折。

春之祭

Anessa Ramsey,Shanna Forrestall,AJ Bowen

  夜深人静之时,年轻女子瑞切尔(Anessa Ramsey 饰)和艾莉莎(Hannah Bryan 饰)突然遭到神秘之人的袭击和绑架。当她们清醒过来后,发现自己正被绑在一座谷仓中,戴着面具的恐怖男子为她们举行邪气逼人的仪式。另一方面,受债务困扰的男人本(AJ Bowen 饰)联合女友艾米(卡瑟琳·兰道夫 Katherine Randolph 饰)、弟弟汤米(安德鲁·布瑞兰 Andrew Breland 饰)以及陌生男人保罗(Sonny Marinelli 饰)策划绑架了富有商人瑞恩·海登(詹姆斯·巴兹 James Bartz 饰)的女儿,并索取高达两百万美元的赎金。  正当本和保罗众人为了赎金起整治的时候,死里逃生的瑞切尔突然出现,随之而来的还有残忍的春之祭杀人魔……