钢铁少女：究极神兵
20XX年，第三次世界大战爆发后，日本变得无法无天，人人自危，长期活在对无情暴徒的恐惧下，但亦有以缉拿暴徒为生的赏金猎艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan。在一众赏金猎人中，有一位被誉为最强最好最美的女猎人。穿上特制的神秘机甲，简直无人能敌，大家称她为「钢铁少女」。葵诗，即钢铁少女，忘了自己原来的身份。为了得到记忆恢复器，她更不择手段将所有暴徒铲除。曾为武装分子的暴徒 —「斯巴提党」一早洞悉她的计划，而她却对正逐步逼近殖民地的杀手懵然不知。
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剧情提要
20XX年，第三次世界大战爆发后，日本变得无法无天，人人自危，长期活在对无情暴徒的恐惧下，但亦有以缉拿暴徒为生的赏金猎艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan。在一众赏金猎人中，有一位被誉为最强最好最美的女猎人。穿上特制的神秘机甲，简直无人能敌，大家称她为「钢铁少女」。葵诗，即钢铁少女，忘了自己原来的身份。为了得到记忆恢复器，她更不择手段将所有暴徒铲除。曾为武装分子的暴徒 —「斯巴提党」一早洞悉她的计划，而她却对正逐步逼近殖民地的杀手懵然不知。
暗夜精选
犯罪读者俱乐部
Veki Velilla,Iván Pellicer,阿尔瓦罗·梅尔,卡洛斯·阿尔凯德,玛丽亚·赛尔祖埃拉,普利西娅·戴尔加多,丹尼尔·格劳,Carmela Lloret,Ane Rot,Hamza Zaidi圣诞宝宝
凯瑟琳·巴雷尔 Katherine Barrell,阿里·利伯特,安德鲁·J·汉普顿遇见不同的遇见
高晓攀,李萌萌,李明,龚玥菲,刘德强,赵晋,张暘,郭京波,赵铭,王雪纯,金道鑫鑫,于时弈,刘乐铭毗邻而居
威廉·菲克纳,杰西卡·麦克娜美,珍·路易莎·凯利,迈克尔·罗森巴姆,科林·伍德尔,埃里希·安德森,罗伯特·阿尔茨牯岭街少年杀人事件
张震,杨静怡,张国柱,王启赞,林鸿铭,金燕玲,王琄,张翰,姜秀琼,赖梵耘,柯宇纶,谭志刚,冯国强,陈湘琪,金士杰大明嫔妃之争宠
宋洋,何杜娟,关慧卿,陈一诺,王艺曈,王春妹,思漩,朱一龙非请勿进
斯蒂芬·多尔夫,娜塔莎·麦克艾霍恩,斯蒂芬·瑞幕后花絮
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
像我这样的爱情
我们这样，是爱吗？阿妹天生患有脑性麻痹，性格却异常跳脱乐观，闲时会约朋友踩板吹水，画画作乐，二十多年来一直努力不被身体耽误。可是过度保护的母亲坚决安排她进行子宫切除手术，阿妹努力建立的生活再次失去平衡，她的身体永远是不由自主的。在朋友推荐下，阿妹找到了一个专为残疾人士提供性服务的自发组织，并认识了义工Ken。这无私的相遇仿佛抚慰了两个受伤的灵魂，那日渐累积的情愫冲淡了道德与身体的羁绊，这样的关系，是爱吗？ 谭惠贞继《以青春的名义》（第14届开幕电影）后第二部长片作品，将爱情元素和身障者性权益议题融合，成就一个道德探索与自我寻找的故事。