女大学生交换俱乐部
在性取向方面，俊河喜欢正常的东西，但她的女朋友素珍喜欢被捆绑和殴打。秀珍担心自己的性品味，因为俊河每次都取笑她，所以她向她的朋友美妍抱怨。她发现美妍目前正在约会的男人道俊和自己有相似的品味，所以素珍向她的朋友建议他们交换伴侣艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan
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魔鬼名校
Latkamon Pinrojkirati,Anchalee Saisoontorn,加图蓬·丹古来Assigned by the professor, 5 senior university students were invited to the old mansion belongs to ML.Salukjit, an old elite who welcomes them with her weird attitude. Before the decision to leave or stay has been made, ML.Salukjit terrifies them and reveals her demonic power.
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
看不见的客人
马里奥·卡萨斯,阿娜·瓦格纳,何塞·科罗纳多,巴巴拉·莱涅,弗兰塞斯克·奥雷利亚,帕科·图斯,大卫·塞尔瓦斯,伊尼戈·加斯特西,圣·耶拉莫斯,马内尔·杜维索,布兰卡·马丁内斯,佩雷·布拉索,霍尔迪·布鲁内特,鲍比·冈萨雷斯,玛蒂娜·乌尔塔多艾德里安（马里奥·卡萨斯 Mario Casas 饰）经营着一间科技公司，事业蒸蒸日上，家中有美丽贤惠的妻子和活泼可爱的女儿，事业家庭双丰收的他是旁人羡慕的对象。然而，野心勃勃的艾德里安并未珍惜眼前来之不易的生活，一直以来，他和一位名叫劳拉（芭芭拉·蓝妮 Bárbara Lennie 饰）的女摄影师保持着肉体关系。某日幽会过后，两人驱车离开别墅，却在路上发生了车祸，为了掩盖事件的真相，两人决定将在车祸中死去的青年丹尼尔联同他的车一起沉入湖底。之后，劳拉遇见了一位善良的老人，老人将劳拉坏掉的车拉回家中修理，然而，令劳拉没有想到的是，这位老人，竟然就是丹尼尔的父亲。
钢铁少女：决战
明日花绮罗,青柳尊哉,龍坐,ハヤテ,春田纯一在20XX年，日本面临着最后一场战争的危机，一个军事公司开发的“大规模毁灭性超级武器”被恐怖组织夺走。同时，半机械人的克里斯·索奥托姆（Chris Saotome）被转换为杀戮武器，遇到了一个名叫萨拉的神秘女孩....
肮脏的小把戏
迪恩·凯恩,Christie Burson,迈克尔·马德森麦可(狄恩肯恩饰)在路上搭载了年轻性感的正妹(克莉丝汀波森饰)，麦可原先认为漫漫公路有正妹相伴艳福不浅，自以为遇上了豔遇的他，却不知道自己即将陷入一连串的阴谋及杀机，一趟没有终点的旅程即将展开… 故事描述一个男人在路途中载了一位年轻的女人，原来只是好心借人搭便车，结果男主人公却发现自己陷入了一场可怕的午夜梦魇…… If she looks too good to be true, then she absolutely is. Just ask Michael Anderson (Dean Cain), a gullible film editor who picks up a sexy young hitchhiker (Christie Burson) in the Arizona desert. After the most thrilling one night stand of his life, Michael becomes embroiled in a twisted love con involving a sadistic crime boss (Michael Madsen), a lonely henchman, and a thieving bank manager. Trust isn't just a bitch, it's a dirty little trick! A crime bosss money is missing and he wants it back by any ay means. The beautiful hitchhiker has it and wants to make the getaway. Alexander "Sasha" Shulgin is the scientist behind more than 200 psychedelic compounds - including MDMA, more commonly known as Ecstasy. Considered to be one of the greatest chemists of the 20th century, Sasha's vast array of discoveries have had a profound impact in the field of psychedelic research, making him a subject of fascination and controversy among fellow scientists and a folk hero to recreational users of psychedelics. Dirty Pictures uncovers the lifework of Dr. Shulgin and takes viewers inside his Northern California home where he lives with his wife of 40 years and continues to carry out experiments in a makeshift laboratory. Director étienne Sauret likewise delves into the broader world of psychedelic research - where the fields of chemistry, neuroscience and philosophy intersect - and investigates whether or not this particular field could aid in solving the deepest mysteries of the human mind.
幸福之路
张震,陈法拉,魏恺乐,莱斯·纳克里,雅南,汤姆·乌卡,杨佩里,王战,李海斌,郑礼莎,亚历克斯·维多夫,卡洛斯·罗德里格斯,丹尼尔·阿拉纳,萨拉·巴斯金,丹尼·博邦穿梭纽约市送餐的华人外卖仔，因谋生工具电动单车被盗，生活陷入危机。同时，他的妻女在分离五年后，终于来到纽约重聚。一部书写移民劳工的电影，镜头随着无法停下的外卖单车徘徊飘移，配以幽暗色调的纽约街头，仿佛在高度资本发达的城市中，刻划出边陲移工艰苦曲折的生存轨迹。韩裔加拿大导 演于2022年以短片《老样子》入围戛纳短片竞赛，其后将短片延伸成为其首部剧情长片，不变的是对移民群体的关注。