秘密

　　Can I Get a Witness? tells the story of a mother and daughter in a near-future world where huge sacrifices are made to maintain life on Earth.　　With its resources swallowed by e-waste and overpopulation, the world is experiencing an anthropogenic collapse. To manage, technological advances are shunned. Nobody has electricity and only people with exceptions are permitted cars. Most importantly, there is also a collective agreement that nobody is allowed to live beyond the age of 50.　　Oh’s Ellie lives with her teenage daughter Kiah (Keira Jang), who is starting her first day as a Documenter, an important role in this new world order. She uses her artistic gifts — beautifully conjured in animations — to draw the dying ceremonies, since printing and photography have been banned.　　Kiah is paired with Daniel (Joel Oulette), the young man who performs the contractual elements of each person’s end-of-life ceremony. He matter-of-factly provides the packages a person can choose, sets them up when the time comes, and performs the burials. But his new coworker is having a hard time handling the emotional impacts of the job.

　　「为什么大家讨厌警察？」男孩询问母亲。身为警察的史黛芬妮，负责的却是警察暴力与失职案件调查。2018年，一名青年随亲友来到巴黎参与街头抗议，却因警方开枪，导致永久性脑部损伤。家人提出指控，警方却矢口否认，关键证据亦是不足。内外压力夹攻之下，史黛芬妮仍奋力调查，调阅摄像头比对、还原警员动线，越逼近真相之际，同僚的敌意也越发强烈⋯⋯

岁月无声，平淡如水。因小事吵闹令多年恋情告终，她复要面对身体突如其来的噩耗。有恨无人省，心底的哀伤、焦虑与寂寞，只能独对在街角检拾回来的纸板韩星，轻声倾诉。夕阳余晖，仿佛骤然点亮了寻常忽略的景致，令她重新感悟人间的和煦。 　　西班牙导演伊莎贝拉库谢以优雅与温柔，将小说家麦可娜·穆尔嘉的遗作化为翩翩光影，凝留于艾芭诺宜娃查倩影丽容，是一阕寛怀的生命诗篇；在最后的时光，与人生、与凡尘好好告别，让放下自在的微光，温润世上所爱之人。

　　威尼斯的地平线单元中，出现了这样一部电影，不扯人性，“三观”却正到让人大呼过瘾，这就是讲述了一个干脆利落的复仇故事的西班牙电影《迟来的愤怒》。　　影片讲述了一个男人为了替在抢劫案中惨死的女友和变成植物人的老爸报仇，潜伏八年，甚至睡了抢劫团伙司机的孩子他妈，只为等他出狱，威胁他，顺藤摸瓜找到躲藏起来的真凶们，一个一个复仇。