烂泥情人
亨吉(曹在显饰)是个不能说话的小混混,一次在街头遇见女大学生森华(孙婉饰),被她的美丽外貌所吸艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan。亨吉注视着坐在长椅上的她,对方却对他没任何好感。等到森华男朋友到来后,他当街强吻了森华,招来一顿唾骂,在被要求道歉时,亨吉并没有那样做。 之后,森华去书店时,一时贪心拿走了别人遗落的钱包,不想被人盯上敲诈一番。为了奉还钱财巨债,森华不得不通过签下卖身契来出卖肉体还钱。而这一切,她并不知道原来是亨吉布局陷害的。他爱着森华,但又知道对方无法接受他,惟有将森华毁掉,放到低贱的位置,才能有些微弱可能
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剧情简介
亨吉(曹在显饰)是个不能说话的小混混,一次在街头遇见女大学生森华(孙婉饰),被她的美丽外貌所吸艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan。亨吉注视着坐在长椅上的她,对方却对他没任何好感。等到森华男朋友到来后,他当街强吻了森华,招来一顿唾骂,在被要求道歉时,亨吉并没有那样做。 之后,森华去书店时,一时贪心拿走了别人遗落的钱包,不想被人盯上敲诈一番。为了奉还钱财巨债,森华不得不通过签下卖身契来出卖肉体还钱。而这一切,她并不知道原来是亨吉布局陷害的。他爱着森华,但又知道对方无法接受他,惟有将森华毁掉,放到低贱的位置,才能有些微弱可能
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母亲往事
Paris, 1963. The youngest of a family of six, Roland, is a boy like no other. According to the doctors, he'll never walk, but his stubborn mother, Esther, simply refuses to accept this.
雨和闪电的气息
改編自著名推理作家南希.皮卡德於《紐約時報》的暢銷同名小說 過往的父母雙屍命案,因為殺人兇手出獄而再度成為喬蒂的噩夢,她被迫再次審視那道往日的傷痕,並且身不由己地反覆被仇恨啃噬…而家族秘辛也隨著時間過去,重新露出面目,要讓所有人都付出代價…。
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.