爱恨龙卷风：撕裂的欲望
在公關公司上班的OL春美談起了社內戀愛，男友是同家公司的同事永田。就在春美接受永田的求婚後不久，她被上司指派執行一項企畫案，這也是她首度在工作上獨挑大樑。因為工作和婚禮重疊而蠟燭兩頭燒的春美，這天她與廠商開完會後在回家的路上，赫然遇到了三年前解除婚約的前未婚夫日夏。當年日夏告訴春美另外有了喜歡的人於是和春美分手。這場與前未婚夫突如其來的偶遇，春美的心是否會因此出現動搖呢……
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人证1977
冈田茉莉子,松田优作,鼻肇,乔山中,岩城滉一,三船敏郎,鹤田浩二,竹下景子,伴淳三郎,高泽顺子,范文雀,夏八木勋,长门裕之,珍妮八田,坂口良子,大泷秀治,佐藤蛾次郎,北林谷荣,西川峰子,铃木瑞穗,峰岸彻,地井武男,和田浩治,深作欣二死于东京皇家饭店电梯里的美国黑人青年被人发现后，警方展开调查，从死者遗物中，知晓其名叫焦尼，并推断其来日目的是为找寻生母。根据种种线索，警方来到某温泉，发现知情人已被杀害，但还是知晓了知名服装设计师八杉恭子（冈田茉莉子）当年曾与一美国黑人士兵在此同居之事，遂派警官栋居（松田优作）前去美国向纽约警察肖夫坦（乔治•肯尼迪）求证。 求证过程中，栋居陷入历史记忆与民族情结中，几欲将眼前的美国人尤其肖夫坦与当年在日本犯下罪行的刽子手混为一谈，但终回复理智完成了任务，将八杉恭子圈定为凶手，而八杉恭子不过也是历史的受害者。
鬼镜
基弗·萨瑟兰,宝拉·巴顿,Cameron Boyce,Erica Gluck,艾米·斯马特警探本•卡森（Kiefer Sutherland 基弗•萨瑟兰 饰）因枪杀同事被迫从纽约警察局提前退休，他的婚姻也随之破裂。落魄的本暂住在妹妹安琪（Amy Smart 饰）的公寓里，终日借酒浇愁。一段时间沉沦过后，本重抖精神，找到了一份保安的工作。他所供职的五月花购物商场五年前曾被大火毁于一旦，令他倍感奇怪的是，在这座焦黑的建筑物中，那一面面镜子却格外明亮。 数日后，本在商场的镜子上发现奇怪的手印，而次日亦在妹妹家的镜子上见到恐怖的景象。接下来的日子里，恐怖事件接连发生……
韩塞尔与葛雷特
千正明,陈智熙,沈恩敬,殷元在因母亲染病，青年李恩洙（千正明 饰）驱车向家中赶去，但中途遭遇车祸，翻到路边。当他从昏迷中醒来时，发现眼前站着一个有如天使般的女孩子（沈恩京 饰）。在这个名叫英姬的女孩的引导下，恩洙随之来到了女孩位于密林深处的家。那是一幢宛如从童话书中出来的梦幻而华美的大房子，家中摆放着各种各样精巧可爱的饰品。这里住着英姬、她的父母、哥哥万福（殷元宰 饰）以及妹妹贞顺（陈智熙 饰）。疲劳疼痛的恩洙起初并未察觉丝毫一样，可是他很快便发现，如此美好的童话所在竟成为永远无法逃离的樊篱…… 本片荣获2009年葡萄牙奇幻国际电影节评委会特别奖。
谎言的岛屿
内瑞雅·巴德洛斯,达里奥·格兰迪内蒂,埃托尔·卢纳,Victoria Teijeiro,Ana Oca,米洛·塔波阿达,Leire Berrocal,Miguel Borines,赛尔索·布加诺,Mela Casal,María Costas,Roberto Leal,Sergio Quintana,Machi Salgado,Ana Santos故事发生在1921年的西班牙，一艘蒸汽船载着260名西班牙移民驶往美国，他们满心期待在那里能够开始他们崭新的人生。不幸的人，一场船难袭击了这群追梦者，他们所乘坐的蒸汽船载西班牙加利西亚海岸附近的一座小岛旁沉没了。幸运的是，岛上生活的三个女人发现了这批遇难者，她们热情的给予了帮助，最终，50名乘客得到了救助，保住了性命，这三个女人也因此名声远扬，被视为英雄。 一名阿根廷记者闻讯来到了这座小岛，想要将这件事情写成报道，可是，随着他调查的深入，记者发现很多事情都和他所听说的不符，不仅如此，他还开始怀疑，或许蒸汽船的沉没从一开始就不是一场意外。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
日本的首领：完结篇
三船敏郎,菅原文太,大谷直子,佐分利信,片冈千惠藏 ,西村晃,山本由香利,佐藤庆,远藤太津朗,高桥悦史,二宫小夜子,渡边文雄,仲谷升,金子信雄,小池朝雄,东惠美子,稻叶义男,小林稔侍,待田京介,真野玲,樱町弘子,志贺胜,铃木瑞穗,寺田农,安部彻大石刚介（三船敏郎 饰）升任关东同盟理事长，与中岛组佐仓一诚（佐分利信 饰）势均力敌，维持着表面的和平。但日本政界要员大山喜久夫（片冈千惠藏 饰）因癌症病倒，几乎再次点燃两派战火。大山幸得一宫恭夫（高桥悦史 饰）医治死里逃生，因此号召帮派联合，遭到两派抵制。 此时塞班岛开发项目成为抗争的导火索。中岛组干部川西（菅原文太 饰）为筹措资金，强令木村建设破产，并将木村之女献给保守党要员刈田（西村晃 饰）。另一方面，大石拉拢刈田的儿子春男入伙，作为特使赴塞班岛向美国官员行贿。大山暗示佐仓除去大石，一场搅和了黑帮、政客、外国人的纷争就此展开，而佐仓似乎也朝日本首领的目标又迈进了坚实的一步……