通过小号与女友的妹妹秘密恋爱
与千夏交往六个月后，启太第一次去女朋友艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan。在那里，她遇到了妹妹希玛丽。凯塔开始厌倦与千夏的关系，他在浏览幕后女孩网站寻找新的刺激时发现了一张熟悉的面孔。他确信她是他女朋友的妹妹，于是与她交换信息，并试图在隐藏她身份的情况下见到希玛丽
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不可饶恕
薛景求,韩惠轸,柳昇范最近，城市里发生了可怕的杀人事件，一具被切割成6块的女尸的曝光和凶手的逍遥法外引起了社会的恐慌。作为休假的交换条件，搜查科研究员姜民浩（薛景求 饰）接下了这个棘手的案件。行事雷厉风行的他和推理天才闵瑞英（韩惠珍 饰）联手，调查取得了突飞猛进的进展，嫌疑人李圣浩（ 柳承范 饰）的名字渐渐浮出水面。 李圣浩一经逮捕就对自己所犯的罪行供认不讳，可是姜民浩却发现事实并不是他所说的那么简单。就在这个节骨眼上，姜民浩的女儿突然失踪，他明白这绝对和李圣浩脱不了干系。李圣浩告诉姜民浩，若想要得知女儿的下落，就必须和他玩一个解谜的游戏——解开他留在尸体上的谜题。一场以生命为筹码的赌注开始了。
数码宝贝大电影五：冒险者的战斗
野泽雅子,津村真琴,多田葵,山口真弓,今井由香,折笠富美子,金田朋子,金光宣明,松谷彼哉,金子由之,永野爱,三石琴乃,小野健一,佐伯志,松尾银三,津久井教生,坂本千夏,小杉十郎太快乐的暑假开始了，启人（津村真琴 配音）为了扫墓来到了风光秀丽的冲绳，在海边，他和阿海（佐伯鹏 配音）一起救下了一位名为美波（三石琴乃 配音）的少女，后者遭到了数码兽的攻击，这些数码兽的目标，似乎是美波所携带的一台笔记本电脑，在电脑里究竟隐藏了怎样的秘密？让启人感到意外的是，美波的遇险催生了数码宝贝石狮兽（津久井教生 配音）的诞生，它的使命为何？ 启人发现，在风靡全球的电子宠物V-Pet背后，隐藏着一个惊人的秘密，贪婪邪恶的曼法斯兽企图通过虚拟的数码兽摧毁人类世界，实现它建立数码世界的野心。面对强大的对手，启人和朋友们该何去何从？
深水
艾伦·艾克哈特,本·金斯利,安格斯·桑普森,迈德琳·怀斯特,凯莉·盖尔,拉米安·纽顿,莫莉·贝尔·赖特,马克·哈德洛,罗伯·基帕-威廉姆斯,露西·巴雷特,普里亚·贾恩,理查德·克劳奇利,瑞恩·邦恩,拉科塔·约翰逊,杰奎琳·李·戈尔茨,凯特·菲茨帕特里克,加文·李,那尔那茜,李汶翰,赵思玫一群从洛杉矶飞往上海的国际乘客被迫在鲨鱼出没的水域紧急迫降，他们必须齐心协力，希望能够在被残骸吸引的疯狂鲨鱼群中存活下来。
匹配
土屋太凤,佐久间大介,金子统昭,真飞圣,后藤刚范,片山萌美,片冈礼子,杉本哲太,齐藤由贵影片是一部围绕约会匹配软件展开的原创悬疑片，恋爱方面晚熟的婚礼策划人轮花（土屋太凤 饰）被同事推荐了配对APP，虽然和一位男士匹配成功，但是出现在约会中的他却和照片完全不一样。与此同时，发生了针对APP用户的连环杀人事件，事件朝着意料之外的方向发展，魔爪也渐渐逼近了轮花...佐久间大介饰演与主人公·轮花相遇，纠缠不休的跟踪狂·永山吐梦。
东京出租车2025
倍赏千惠子,木村拓哉,苍井优,迫田孝也,优香,中岛瑠菜,神野三铃,李濬荣,笹野高史,大竹忍,槙田雄司,北山雅康,木村优来,小林稔侍,明石家秋刀鱼故事围绕的士司机宇佐美浩二（木村拓哉 饰）展开，他每日奔波于都市间工作养家，却因女儿的学费、的士验车费、房屋租金等接踵而至的现实压力而身心俱疲。某日，浩二接到一项特别的委托——接载年迈的高野堇女士（倍赏千惠子 饰）从东京柴又前往神奈川叶山的养老院。“在离开东京之前，想先到几个想去的地方看看”，堇女士淡然请求。随着的士驶过日本的大街小巷，陌生的两人逐渐打开心扉，堇女士也徐徐道出自己跌宕的人生过往。这趟偶然的旅程，不仅触动了他们的心灵，也让二人在平凡的日子中，为彼此的人生留下难忘的美好印记。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.