爱恨龙卷风：撕裂的欲望
在公關公司上班的OL春美談起了社內戀愛，男友是同家公司的同事永田。就在春美接受永田的求婚後不久，她被上司指派執行一項企畫案，這也是她首度在工作上獨挑大樑。因為工作和婚禮重疊而蠟燭兩頭燒的春美，這天她與廠商開完會後在回家的路上，赫然遇到了三年前解除婚約的前未婚夫日夏。當年日夏告訴春美另外有了喜歡的人於是和春美分手。這場與前未婚夫突如其來的偶遇，春美的心是否會因此出現動搖呢……
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剧情提要
在公關公司上班的OL春美談起了社內戀愛，男友是同家公司的同事永田。就在春美接受永田的求婚後不久，她被上司指派執行一項企畫案，這也是她首度在工作上獨挑大樑。因為工作和婚禮重疊而蠟燭兩頭燒的春美，這天她與廠商開完會後在回家的路上，赫然遇到了三年前解除婚約的前未婚夫日夏。當年日夏告訴春美另外有了喜歡的人於是和春美分手。這場與前未婚夫突如其來的偶遇，春美的心是否會因此出現動搖呢……
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Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
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本作の主人公は、大人になりきれない30歳の公立中学校教師・市川。彼が担任を受け持つクラスの生徒数十人が校則への抗議として髪を金色に染めて登校し、学校中が大騒ぎになるさまが描かれる。