江山美人艳史

评分:6.7 播放:00万 更新:2026-05-26
主演: 辛仁/

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送葬人2023

那塔乌·桑亚布,察猜·钦西,Thanadon Buarabat,Nek Naruepol,Phuwanet Seechomphu,蒂提·斯里努亚尔,Siriamol Onkoon

  讲述一名法学院毕业生乔德回到家乡准备司法考试,但做殡葬业的父亲却生病了,怕鬼的他只好硬着头皮协助家业。而锡安因为无法接受前女友的死亡,想方设法希望能再跟她见上一面,因此来帮乔德的忙。究竟在这个生与死交会的地方,他们会遇见什么样的故事呢?

北地猎人

柯里·瑟威尔,罗丝安妮·休佩诺特,Michelle Thrush,朱利安·布莱克·安蒂洛普,纳森尼尔·阿坎德,Roger LeBlanc,Kevin Davey,Jerome Paton,Paul Welch,Cameron Gerlitz,Stephane Legault,Jonathan Purvis,John Barry Graham,Tessa Hatheway,Emiko Shimozawa

  In the year 2961, the time is after humanity and nature has recovered the land. A hunter named Cygnus is called to rise above his duty. He provides for Last Arc, a once nomadic band of survivors in need of food and water that is now growing scarce. The answer must be found before a group of outlandish Heretics descend upon them. Cygnus must voyage across the treacherous landscape to defend his people. Sent by Nova, the matriarch of the band, she acts based on her vision for Cygnus to find a seed of hope. The future of Last Arc is for him to discover, Cygnus ventures into a hostile landscape in search of an answer for his people. On this journey of encountering many traps and dangers, Cygnus discovers what has been hunting him is his identity.

灵幻夹克

艾德里安·布洛迪,凯拉·奈特莉,克里斯·克里斯托佛森,詹妮弗·杰森·李,丹尼尔·克雷格,凯莉·林奇,布拉德·兰弗洛,斯蒂文·麦金托什,布兰登·柯伊尔,麦肯兹·菲利浦斯,劳拉·马兰洛,詹森·刘易斯,乔哈·罗坦,安琪儿·库碧

  时空的转换,现在与未来的穿梭,都在杰克(亚德里安·布洛迪 Adrien Brody 饰)身上神奇的发生着。他本来是一个参与过海湾战争的美国军人。意外中弹令他丧失了记忆,成为一个失忆者。继而更倒霉的是,他被警方认作杀人疑犯拉回审讯。因为判定为精神疾病,杰克免于坐牢,只是被带到精神病院,作为某项科学实验的样品。  医生为杰克穿上了紧身衣物,把他放进停尸间。这里黑暗冰冷,只剩下零散的记忆碎片陪伴杰克。碎片中有着他将来的模样,有着一个心爱的叫杰基(凯拉·奈特利 Keira Knightley饰)的女子,更有着自己快要死去的讯息。在记忆中看到将来的杰克,在一线希望中寻找着通往生机的钥匙。

等待方舟

耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.