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蓝宇
胡军,刘烨,苏瑾,李华彤,卢芳,张永宁,李爽,李滨,赵敏芬,张少华陈捍东（胡军）和蓝宇（刘烨）的爱情始于一场性交易，其时，蓝宇是为生活所迫决定出卖自己肉体的清纯大学生，陈捍东则是情场老手，惯做“花花公子”的他虽对特别的蓝宇怦然心动，却也认为蓝宇不过是他众多玩伴中的一个。慢慢地，随着两人交往的深入，陈捍东发现自己的心已在不知不觉间被蓝宇充满。可是他又不敢肯定，试图通过与女人结婚证明自己的“正常”，当求证到那不过是错觉一场时，蓝宇早已消失在茫茫人海。真正的爱情故事总是令旁观者唏嘘感叹，无论它是异性间还是同性间的。而令旁观者感动的爱情，往往又是同勇敢、固执、单纯等简单却难拥有的质量联系在一起的，蓝宇（和捍东）正属稀少的那类人，所以他们的爱情才显珍贵。
暗黑女子
千眼美子,饭丰万理江,清野菜名,玉城蒂娜,小岛梨里杏,平祐奈,升毅,千叶雄大《暗黑女子》改编自秋吉理香子的同名人气推理小说，描述了女子高中美少女白石逸美神秘死亡以后，逸美同校文学部的少女们，开始以她的死亡为主题，各自发表了检举犯人的作品。由清水富美加和饭丰万理江担任双主演，由《百濑，朝向这边》、《战神：只是爱着你》的导演耶云哉治执导。 影片《暗黑女子》是一部由耶云哉治执导的影片，该片于2017年4月1日本上映。 本片围绕基督教名媛学校圣母玛利亚女子高等学院的理事长之女、全校同学羡慕的物件——白石逸美（饭丰饰演）神秘死亡的故事展开。 好友澄川小百合（清水饰演）代替逸美，继任了文学小组的会长而被成员们怀疑。她为了查明逸美死亡的原因并找出真凶，让成员们写关于「逸美之死」的小说，然后大家一起摸黑开朗读会。 清水富美加饰演文学部部长澄川小百合，白石逸美则由饭丰万理江出演。千叶雄大饰演的北条老师曾是学校文学部的顾问，因向身边工作人员讲猥琐话题被赶走，实际上拥有不为人知的秘密。 其他角色方面，保加利亚留学生狄安娜•迪切瓦由玉城蒂娜扮演，清野菜名出演作家高冈志夜；梦想成为甜点师的小南彩音由小岛梨里杏扮演，总是为奖学金而焦虑的二谷美礼由平佑奈扮演。
凯多湖的消失
迪伦·奥布莱恩,伊莱扎·斯坎伦,黛安娜·霍佩尔,卡罗琳·福克,山姆·亨宁斯,埃里克·兰格,劳伦·艾波罗丝,Nina Leon,兰斯·E·尼克尔斯,大卫·马尔登那多,基姆·巴蒂斯特,Jody Sellers,Greysen Conley,Jules Hilillo Fernandez,Jennifer Sellers,Larry S. White II,A.C. Cooper,Zedrick Tinsley,Elizabeth Feliciano一个8岁的女孩神秘地消失在卡多湖上，一系列过去的死亡和失踪开始联系在一起，永远改变了一个破碎家庭的历史。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
没有面孔的眼睛
皮埃尔·布拉瑟,爱迪丝·斯考博,阿莉达·瓦利,朱丽叶特·麦涅勒,亚历山大·里尼奥,贝亚特丽斯·阿尔塔里巴,夏尔·布拉韦特,克洛德·布拉瑟,米歇尔·埃切韦里,伊薇特·埃蒂耶旺,勒内·热南,吕西安·于贝尔,马塞尔·佩雷斯,弗朗索瓦·介朗生物学教授詹尼西尔（Pierre Brasseur 饰）因一次车祸使心爱的女儿克莉丝汀（Edith Scob 饰）面容尽毁，女儿伤愈后只能终日戴着瘆人的白色面具，痛苦非常。爱女心切且心怀内疚的詹尼西尔与助手路易丝（Alida Valli 阿莉达•瓦莉 饰）伪装克莉丝汀失踪、死亡的假象，暗中诱拐与女儿年龄相仿的女性，将其麻醉后剥掉面皮，移植到克莉丝汀脸上。 但手术接连失败，牺牲者也不断增加。亲眼所见诸多同龄女孩惨遭杀害，克莉丝汀心中痛苦不已。另一方面，众多女孩失踪的案件也引起了警方的注意，他们逐渐将目标锁在疯狂的詹尼西尔身上……
惑星大战争
宫内洋,平田昭彦,冲雅也,森田健作,浅野优子,池部良西暦1988年。人類は謎のUFO群の襲来により危機に瀕していた。人類の存亡をかけ、南海の秘密基地で建造されていた国連宇宙防衛艦・轟天は発進する。侵略者の正体は、太陽系から2万2千光年離れたメシエ13と呼ばれる球状星団・恒星ヨミの第三惑星人だった。彼らは年老いた母星そっくりの地球を征服すべく、指揮官ヘルのもとに金星に侵略の前線基地を築いていた。敵ヘルファイターとの激しい戦闘をくり返し、金星に向かう轟天。しかし、その前に敵の超努級戦艦・大魔艦が立ちふさがる……。