地狱世界
แก่งทมิฬ โลกีย์นรก (KangTamin LokeeNarok) 艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan
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那张照片里的我们
李沐,郑振永,宋柏纬77年，范贤英（李沐 饰）是照相馆老板的女儿，她的青梅竹马李弘国（宋柏纬 饰）自小陪伴在旁，暗恋却从未说出口。某天，韩国跆拳道教练金浩熙（郑振永 饰）应青年团之邀来到中坜，走进照相馆，悄然与贤英产生情愫，也打破了原有的平静。 随着选举风暴与社会动荡席卷而来，三人的青春在微光中交错，逐渐学会如何坚持心中的信念，寻找属于自己的光亮。
重庆森林
林青霞,金城武,梁朝伟,王菲,周嘉玲编号为223的警察（金城武）失恋后患上失恋综合症，在与金发女杀手（林青霞）擦肩而过又离奇相遇并有了一晚温情后，原本以为包括“爱情”在内的所有东西都有保质期的他意外地迎来心灵的短暂温暖。可是，他们的爱情还是结束了。快餐店新来的女招待阿菲（王菲）爱上了时常光顾快餐店的编号 为663的警察（梁朝伟），因拆了他的女友（周嘉玲）留在快餐店给他的“分手” 信，阿菲知晓了他的心情，偷拿到他的钥匙趁他不在时常潜入他家，一边梦游一边悄悄地改变他的生活，终在被他撞见时令其感受到情感的回归。然而，这才是他们爱情的开始。
六号关口
凯特·波茨沃斯,托马斯·克莱舒曼,卢锡安·拉维斯科特,马丁·麦凯恩After serving two years on a military outpost in the middle of an ocean – four soldiers are waiting for a new crew to replace them. When the long-awaited boat finally appears, it’s empty with no relief on board. When trying to find out what happened to the boat and the missing crew, they realize they’ve lost all communications with home. Cut off from the rest of the world and no one coming to get them, Baines, Sullivan, Cassidy and Hendryx must fight with suspicions about each other and find a new way to get home. If home still exists.
家族秘密2025
金惠恩,金范来,金宝仑随着妍静突然宣布重返职场， 她们发现自己离家的时间明显增多。 之前一直疏远她心爱的钢琴的米娜， 开始回避家人。 之前一直回避运动的镇秀，突然每个假期都离家去锻炼。 随着秘密越积越多，沟通也变得支离破碎， 三人变得疏远却又亲近。 然后，有一天，一次偶然的相遇， 将妍静、米娜和镇秀的秘密串联了起来…… 嘘！当你打开这扇秘密之门， 一个非常特别（？）的家庭故事就此展开！
意乱情迷
麦茜·理查森·塞勒斯,珊农·沃德华德,Rosaline Elbay,Kate Szekely,吉米·让-刘易斯,Benjamin Valenzuela,Brandi Huzzie,拉玛尔·亚瑟,Loren Swan,Kelley Kali,谢恩·玛姆帕米尔,凯西·福特·亚历山大,Sidnei Barboza,Harsh Milan《锯齿状心灵》讲述的是一个女人被昏迷和奇怪的幻觉所困扰，她发现自己被困在了一系列的时间循环中，这可能与她神秘的新女友有关。
好像一切都很糟糕
Melis Sevinç,Melisa Bostancıoğlu,İbrahim Arıcı,Mert Can SevimliAyşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster