律师人权性炼狱
帝大法律系毕业的优秀美女律师，在司法体系内享有必胜律师崇高的声誉，为偿还父亲的人情债务，接下了黑帮老大儿子性侵犯罪的案件，却被黑帮老大绑架囚禁，以极度不人道的性人权侵害，逼迫美女律师做伪证，在不见天日的人间炼狱连续数日折磨之下，美女律师是否能够抵抗肉体的残害，伸张法律的正义艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan？
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洞穴客
John Abbott,诺亚·海瑟威,David Comfort,Michael Mancini英雄百夜
艾玛·科林,麦卡·梦露,尼古拉斯·加利齐纳,埃米尔·艾尔-马斯里,查莉XCX,理查德·E·格兰特,菲丽希缇·琼斯,瓦拉达·塞图,克里斯托弗·法里班克,马凯拉·卡维纳赫,汤姆·斯托顿,克莱尔·珀金斯,乔什·柯德雷,萨菲亚·奥克利-格林,毕扬·丹斯曼,杰夫·米尔扎,Olivia D'Lima,乔丹·库尔森,迈尔斯·基奥治,科里·彼得森7号房的礼物
柳承龙,朴信惠,郑镇荣,金正泰,吴达洙,朴元尚,郑满植,葛素媛阿里
安德拉尼克·马奈,帕斯卡尔·雷内里克,Théo Delezenne,Ryad Ferrad,伊娃·拉利耶,Lomane de Dietrich,Mikael Don Giancarli,克莱芒丝·库隆,Fabio Caron,Audrey Bonnet,克莱尔·博德森,苏菲‧卡达尼,Alphonso Scavo,Immanuelle Shékina,Isaure Bony Agoua,Melvil de Waegenaire,Tom Menanteau,Alexandre Auvergne,Serena地震之后电影版
冈田将生,鸣海唯,渡边大知,佐藤浩市,桥本爱,唐田英里佳,吹越满,黑崎煌代,堤真一,黑川想矢,井川遥,涩川清彦,津田宽治,锦户亮,能年玲奈附身
阿比盖尔·布雷斯林,大卫·休莱特,史蒂芬·麦克哈蒂,彼得·奥特布里奇,米歇尔·诺尔顿,萨曼莎·温斯坦同类推荐
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
莫德罗监狱1977
米盖尔·赫尔南,哈维尔·古铁雷斯,赫苏斯·卡罗萨,Catalina Sopelana,费尔南多·特赫罗,哈维·萨兹,Víctor Castilla,Alfonso Lara,Iñigo de la Iglesia,伊尼戈·阿兰布鲁,Javier Lago,哈维尔·贝尔特兰,Aimar Vega,Julián Valcárcel,Nacho Marraco1976年，一名会计师因莫须有的罪名，将面临不公正的刑事判罚，他决心一斗到底。西班牙导演阿尔韦托·罗德里格斯（《千面人》）阔别6年重回大银幕的新作，根据真实事件创作，于现已关闭的巴塞罗那莫德罗监狱内实景拍摄，回溯1976年弗朗哥去世后的西班牙民主过渡期。影片巧用突然惊吓营造惊悚气氛，反映狱警对犯人的多种惨无人道的摧残；藉由民愤轮番上演花式越狱，点燃普通人的求生之火，强烈抨击国家法律体系的不公。荣获2023年西班牙戈雅奖16项提名，最终揽获最佳美术指导等5项技术大奖。
鬼影实录：东京之夜
中村苍,青山伦子位于东京的某区，山野一家三口过着富庶自在的生活。2010年9月3日，姐姐春花（青山伦子 饰）从美国归来，此前她在旅行中遭遇一场车祸，致令双腿严重骨折。弟弟幸一（中村苍 饰）是个开朗阳光的大男孩，他拿着新买的摄像机拍下了山野家生活的点点滴滴。由于父亲公务繁忙，平时只有姐弟二人在家。平静的日子并未持续太久，一丝不安便在屋子内肆意弥漫。春花发现，每当次日醒来床边的轮椅便会发生移动。为了探明真相，幸一决定在姐姐的卧房内安置摄像机，监控夜晚的情况。在屏幕前，不可思议的景象接连发生，姐弟俩似乎也陷入恶魔的诅咒中，无法逃脱…… 本片为恐怖片《鬼影实录》的日本版。
围困
尤里·索洛明,叶甫盖尼·列别杰夫,伊琳娜·阿库洛娃,列夫·佐洛图欣,弗拉季斯拉夫·斯特尔热利奇克,亚历山大·拉辛,鲍里斯·戈尔巴托夫,谢尔盖·哈钦科,丹尼尔·萨加尔,Vasiliy Minin,Valentin Abramov,Anatoliy Verbitskiy,米哈伊尔·乌里扬诺夫,Roman Gromadsky,Konstantin Malakhov,Stanislav Fesyunov,Yuri Maltsev,Aleksandr Afanasev,Vladimiras Lido,Yuri Ku该片讲述了伟大卫国战争期间列宁格勒遭受德寇围困的九百天，列宁格勒军民克服种种令人难以置信的困难--饥饿，轰炸，疾病，寒冷——保卫了这座“英雄城”并最终打破了德寇的围困的故事。
三声再见
阿尔芭·罗尔瓦赫尔,埃利奥·杰曼诺,弗朗切斯科·卡里尔,西尔维娅·达米科,加拉泰亚·贝露琪,萨莉塔·乔德霍里,洛伦佐·特伦齐,索菲娅·德利娅,斯蒂法诺·布拉奇,彼得罗·斯帕沃利,孙克古·郑,马泰奥·卡洛马尼奥,朱塞佩·佩斯蒂洛,路易莎·里奇,薇拉·杰玛,亚历山德罗·洛·卡塞托,科西莫·德西伊,特奥多罗·吉安班科,朱利娅·瓦伦蒂,托马索·阿尔纳尔迪岁月无声，平淡如水。因小事吵闹令多年恋情告终，她复要面对身体突如其来的噩耗。有恨无人省，心底的哀伤、焦虑与寂寞，只能独对在街角检拾回来的纸板韩星，轻声倾诉。夕阳余晖，仿佛骤然点亮了寻常忽略的景致，令她重新感悟人间的和煦。 西班牙导演伊莎贝拉库谢以优雅与温柔，将小说家麦可娜·穆尔嘉的遗作化为翩翩光影，凝留于艾芭诺宜娃查倩影丽容，是一阕寛怀的生命诗篇；在最后的时光，与人生、与凡尘好好告别，让放下自在的微光，温润世上所爱之人。