跟踪邻家女孩
艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan与年长的丈夫结婚后，对夫妻关系不满的新娘开始对邻居家的小伙子的偷窥感到兴奋…有一天，她把偷窥自己的男人叫到自己家，发生了让人血脉喷张的事，甚至想到和丈夫离婚….
在线观看
剧情提要
艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan与年长的丈夫结婚后，对夫妻关系不满的新娘开始对邻居家的小伙子的偷窥感到兴奋…有一天，她把偷窥自己的男人叫到自己家，发生了让人血脉喷张的事，甚至想到和丈夫离婚….
暗夜精选
克里斯托弗系列
伊恩·麦克莱恩,米凯拉·科尔,杰西卡·古宁,詹姆斯·柯登,Dmitri Prokopiev,Tilly Botsford,丹尼尔·弗恩,Lucy McCormick,Le Fil,达拉斯·坎贝尔,Ferdy Roberts,斯图尔特·库克蜜恋合租
孙志强,徐海文,谢雨欣怪物2023
安藤樱,永山瑛太,黑川想矢,柊木阳太,高畑充希,角田晃広,中村狮童,田中裕子烟花1995
山崎裕太,奥菜惠,反田孝幸,兰迪·黑文斯,小桥贤儿,樱木研仁,麻木久仁子,光石研,小山励基,山崎一,深浦加奈子,田口智朗,石井苗子,酒井敏也,蛭子能收,中岛阳子入主客房
圭多·卡普里诺,卡米拉·菲利皮,爱德华多·佩谢,Romeo Pellegrini家用摄像头
尹世雅,权赫,阮芳青薇母亲往事
米洛·马查多·格拉纳,莱拉·贝蒂,约瑟芬·约比,乔纳森·科恩,安娜·勒尼,让娜·巴利巴尔,雪儿薇·瓦丹同系列推荐
新·胡闹将军
松平健,西畑大吾,生濑胜久,高岛礼子,藤间爽子,小泽征悦,胜村政信,小野武彦,木村了,驹木根葵汰,内藤秀一郎,神威乐斗浴血黑帮电影版
基里安·墨菲,丽贝卡·弗格森,蒂姆·罗斯,苏菲·兰朵,奈德·丹内利,派克·李,伊恩·佩克,杰伊·利库戈,巴里·基奥恩,斯蒂芬·格拉汉姆,萨米·乔纳斯·希尼,鲁比·阿什伯恩·瑟金斯,山姆·贝克-琼斯,卡斯珀·希尔顿-希勒,马丁·安格鲍尔,马克·威尔金森,托马斯·阿诺德,安迪·M·米利根,罗利·威尔逊,马克斯·凯文汉姆母亲2009
金惠子,元斌,晋久,尹宰文,全美善,宋清晨,千玗嬉,郑煐禥,高圭弼,李美度,朴明申,李姃垠乐开怀
米歇尔·菲佛,菲丽希缇·琼斯,科洛·葛蕾丝·莫瑞兹,伊娃·朗格利亚,詹森·舒瓦兹曼,丹妮尔·布鲁克斯,茉德·阿帕图,丹尼斯·利瑞,多米尼克·塞萨,陈冲,哈瓦娜·罗丝·刘,黛芙芮·雅各,海蒂·纳赛尔,塞尔吉奥·杜克,伊桑·科斯塔尼拉,赛迪·司各特,Rashal James,杰西贾姆斯·洛科里埃,罗克茜·里韦拉,Audrey Hui猪猪侠大电影之竞速小英雄
冲动2023
玛丽亚·露可安诺娃,杰拉·奇塔瓦,Daro Akimidze,Koba Akimidze,Aleksandr Cherednik,Christina Chernyavskaya,Anna Grigoryeva,Ivan Ivashov,Dmitry Khalileyev,Issa Khasatsov,斯塔亚·科莫里基-格兰科夫斯卡亚,Dmitry Khromyh,Islam Kurukov,克塞妮娅·库捷波娃,Albert Misirov,Anna Mustina,Nikolay Orlovskiy,卡里幕后花絮
罗伯特玩偶的复仇
在纳粹德国，玩具制造商拥有一本神秘的书籍，赋予无生命的生命。在躲过希特勒命令取回书的党卫军之后，这位玩具商登上了一列火车企图逃离该国。认为他很清楚，玩具制造商很快就发现，一批高级纳粹军官也加入进来。最终，他的秘密被揭露出来，纳粹关闭。但是，玩具制造商已经使用这个神奇的东西来带来一个名叫罗伯特的复古娃娃来生活 - 而罗伯特将毫无阻碍地保护他的主人。所以，当玩具制造商和杀手娃娃拿起纳粹时，就开始了一场血腥的战斗。这是对死亡的一场战斗，只有胜利者才会在下一站下车。
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.