在线观看
剧情提要
来自美国的优雅女人嫁给了不择手段地赚钱的商人。景焕与酒吧大妈美妍有恋情，但在与徐罗结婚后，他告诉美妍，他以后想做一个优雅的商人生活。一天，徐罗的亲生女儿柳娜穿着短裙出现在景焕的新婚夫妇家里时候...
暗夜精选
雷霆营救
安志杰,Vanessa,罗伟,赵儒嫣,Alleyn,柯恬柔,Hamid,高明燊天大的事
邵峰,刘惠,韩三明,张瑞雪,张衡平,郭晗黑暗杀机
亚历山大·斯卡斯加德,丽莉·吉欧,詹姆斯·戴尔,杰弗里·怀特,梅肯·布莱尔,乔纳森·怀特赛尔,詹姆斯·布鲁尔,埃里克·李塞德,朱利安·布莱克·安蒂洛普,安娜贝尔·库帖,巴布·米切尔夏洛克：未叙之章特别篇
藤冈靛,岩田刚典,木南晴夏,山田真步,佐佐木藏之介失落的世界1960
迈克尔·伦尼,大卫·海迪生,Jill St. Hedison,克劳德·雷恩斯,费尔南多·拉马斯,理查德·海顿,Ray Stricklyn印度超人3
赫里尼克·罗斯汉,瑞哈,莉娅·森,Priyanka Chopra,维克·奥贝欧 Vivek Oberoi,Rajpal Yadav,Kangana Ranaut互帮互助
黑木华,中村苍,藤间爽子,安藤玉惠,近藤华,白鸟玉季,吉冈睦雄,松本利夫,升毅,西田尚美,田口智朗,风吹淳,草笛光子同系列推荐
祸祸女
南沙良,前田旺志郎,山田葵 ,高石明里,九条ジョー,铃木福,前原瑞树,平田敦子,平原哲,斋藤工,田中丽奈迷失太空
海瑟·格拉汉姆,威廉·赫特,米密·罗杰斯,杰克·约翰逊,莱西·沙伯特,加里·奥德曼,马特·勒布朗阁楼房客是总裁
张层层,莫小错,詹子潼,董天昊机动战士高达闪光的哈萨维
小野贤章,上田丽奈,诹访部顺一,齐藤壮马,津田健次郎,石川由依,落合福嗣,武内骏辅,早见沙织,松冈美里,泽城千春,宫崎游,天崎滉平,绵贯龙之介,田中光,草野峻平,种崎敦美,新祐树,绫见有纪,鹫见昂大,尼古拉·法莱那泽,越后屋浩介,藤高智大,Volcano太田,川口启史,田村千惠,井川秀荣,吉富英治,木曾宽子,佐佐木祐介,吉田健司,高桥雏子,高桥大辅,泷村直树,福西胜也,佐伯美由纪,本多新也,木野日菜,内田绅一郎,樱冈敦子,地藏堂武大,川上洋平,矶部宽之,白井真辉,ASHLEY,JAMES,SAYAKA,山守护恶魔
Mac Van Khoa,Mai Cát Vi,Quoc Truong深渊未远
Jamie Woods,Isabella Mangano,Jacob Pontil-Scala,米利亚娜·坎卡尔,Andy Steuart,Isobel Lauber幕后花絮
假面复仇
骗子离开大卫破产,失业& -他的女朋友。所以他开始找到骗子但是复仇并不是在他的脑海中。
好像一切都很糟糕
Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster